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FAT ANGIE

From the Fat Angie series , Vol. 1

Creative prose and sharp interactions, marred only by some stereotyping; a fresh read nevertheless.

Entrancingly eccentric prose, a protagonist “jam-packed with awkward” and a military sister missing in action coalesce into a memorable romance that’s rockier than might be expected—and more realistic.

Fat Angie’s sister, “the fulcrum of their family machine,” was captured nine months ago and shown “on Iraqi television, tied to a chair, blindfolded and bruised.” Family, national news and everyone in Dryfalls, Ohio, presume she’s dead—except Fat Angie. After a very public meltdown, Fat Angie faces bullying at school and “all kinds of weird sadness” at home, including maternal comments like “No one is ever going to love you if you stay fat.” Into this anguish materializes KC Romance, a slang-talking new girl in combat boots and skull-and-crossbones fishnets. She defends Fat Angie; she likes Fat Angie; she calls her, simply, Angie. Angie falls “heart-forward into KC’s dark eyes,” and the girls are “gay-girl gay” together (their affectionate term). But Angie’s tongue-tied, and KC has secret pain; a “sad awkward” keeps cropping up. Like their relationship, and like Angie’s lionhearted attempt to emulate her missing sister’s backbone on the basketball court, Charlton-Trujillo’s prose has a peppery flavor, pointedly carbonated (“You break it. You know? My heart”) and wryly funny. Unfortunately, fatness is a misery symbol—it’s post–weight-loss, “not-so-plump Angie” who finds happiness.

Creative prose and sharp interactions, marred only by some stereotyping; a fresh read nevertheless. (Fiction. 12-16)

Pub Date: March 12, 2013

ISBN: 978-0-7636-6119-9

Page Count: 272

Publisher: Candlewick

Review Posted Online: Jan. 27, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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RADIO SILENCE

A smart, timely outing.

Two teens connect through a mysterious podcast in this sophomore effort by British author Oseman (Solitaire, 2015).

Frances Janvier is a 17-year-old British-Ethiopian head girl who is so driven to get into Cambridge that she mostly forgoes friendships for schoolwork. Her only self-indulgence is listening to and creating fan art for the podcast Universe City, “a…show about a suit-wearing student detective looking for a way to escape a sci-fi, monster-infested university.” Aled Last is a quiet white boy who identifies as “partly asexual.” When Frances discovers that Aled is the secret creator of Universe City, the two embark on a passionate, platonic relationship based on their joint love of pop culture. Their bond is complicated by Aled’s controlling mother and by Frances’ previous crush on Aled’s twin sister, Carys, who ran away last year and disappeared. When Aled’s identity is accidently leaked to the Universe City fandom, he severs his relationship with Frances, leaving her questioning her Cambridge goals and determined to win back his affection, no matter what the cost. Frances’ narration is keenly intelligent; she takes mordant pleasure in using an Indian friend’s ID to get into a club despite the fact they look nothing alike: “Gotta love white people.” Though the social-media–suffused plot occasionally lags, the main characters’ realistic relationship accurately depicts current issues of gender, race, and class.

A smart, timely outing. (Fiction. 12-16)

Pub Date: March 28, 2017

ISBN: 978-0-06-233571-5

Page Count: 496

Publisher: HarperTeen

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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