THE VIOLIN PLAYERS

Her parents' decision to accept a temporary teaching stint at a small Missouri college leaves Melissa Jensen frustrated; it means leaving her New York City friends and school, where she excels in the orchestra and drama classes. She could have stayed with her grandparents, but the thought of living in their Orthodox Jewish home held no appeal for her. All the Jensens are in for a pleasant surprise, however. Chris, a handsome senior at Henryville High, meets them at the airport and delivers them to their beautiful new home, shows them their new Saab, and promises that he and his sister will help Melissa adjust. She settles in more quickly than she dreamed, working on her violin-playing, becoming assistant director for the production of Romeo and Juliet, and coaching multi-talented Daniel, the school's only observant Jew, in the leading role. But Daniel has become the target of cruel anti-Semitism, led by popular football star, hulking Johnny McGraw. Melissa feels a sense of shame for concealing her own Jewish identity, and for not knowing more about her religion. Other students join Melissa in condemning Johnny's behavior, admitting that they, believing that his opinions and pranks were harmless, had been silent too long. Sherman exhibits a heavy hand in outlining all this, but her characters prove more complex than they seem initially, and she keeps the plot moving along at a good clip. Melissa's crush on Chris and her eventual deeper feelings for Daniel make this ideal for romance readers, and its message is one that always bears repeating. (Fiction. 10-14)

Pub Date: Oct. 15, 1998

ISBN: 0-8276-0595-1

Page Count: 121

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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REFUGEE

In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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GHOST

From the Track series , Vol. 1

Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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