Not quite like watching paint dry. But Copperman’s latest could use more of the manic energy of his earlier franchises.
Copperman launches yet another series, drawing on his childhood experiences in his father’s paint and wallpaper store.
When Laura Meehan decided to honor her father’s memory by reopening Breezeway Paint and Wallpaper in Sea Breeze, New Jersey, she never expected him to be able to weigh in on her decision. But a shadowy apparition appearing in the back office claims to be the late Amos Meehan. Though Laura is skeptical of the idea that it really is her father’s ghost, come back to offer his support in her venture, Amos’ help becomes especially valuable when Laura discovers the body of housepainter Ernie Colasco with his head wedged in her paint shaker. Before founding Breezeway Paint, Amos had been a respected detective on the Atlantic City Police Department. Ernie, on the other hand, had been a universally detested pain in the ass who’d ignored his daughter, cheated on his wife, and owed money to everyone he did business with. While no one much mourns Ernie’s passing, Laura feels that leaving his killer on the loose would tarnish Breezeway Paint’s reputation. The relationship between fathers and daughters looms large in Copperman’s narrative, although it’s not clear what value is added by siting Laura’s relationship with Amos across not only generations but planes of existence. Even Laura isn’t quite sure whether the apparition of Amos is a ghost or a figment of her imagination. It may be hard for readers to invest much in the Laura/Amos dyad if even Laura isn’t convinced it’s a thing.
Not quite like watching paint dry. But Copperman’s latest could use more of the manic energy of his earlier franchises.Pub Date: Nov. 4, 2025
ISBN: 9781448315208
Page Count: 256
Publisher: Severn House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Everything you’d expect from Grisham, and this time something more.
After more than three decades of producing bestselling legal thrillers, Grisham tries his hand at a whodunit.
Eleanor Barnett wants Simon Latch to write her a will. That’s pretty much his job description, since practicing law in Braxton, Virginia, for 18 years hasn’t given him much opportunity to spread his wings. But the case of Netty, as she insists he call her, is different. She’s an 85-year-old widow whose second husband, Harry Korsak, left her with something like $20 million in cash and securities. She has a pair of stepsons, Clyde and Jerry Korsak, she’s determined to disinherit. And she already has a will, a document Wally Thackerman drafted a few weeks ago that basically allowed him, as Simon soon discovers, to pillage her estate. So instead of following his usual procedure and asking his longtime secretary, Matilda Clark, to type out the will, Simon types it himself and has it witnessed without saying anything to her. Of course he’d never do what Wally Thackerman did, but given his poverty, his gambling addiction, and his estrangement from his wife, Paula, whose income is a lot more stable than his own, he wouldn’t mind drawing just a bit on Netty’s wealth. As it happens, his new client turns out to be more trouble than she’s worth, maybe even more trouble than she would’ve been worth to Wally. And when she ends up dying, her death is swiftly identified as murder, with every indication that Simon killed her himself. The whodunit is unremarkable, but Grisham handles the legal complexities of the case with professional finesse and adds a wonderfully poignant portrait of a nothingburger lawyer trying his best to keep things more or less legal.
Everything you’d expect from Grisham, and this time something more.Pub Date: Oct. 21, 2025
ISBN: 9780385548984
Page Count: 416
Publisher: Doubleday
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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