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THE MAGICAL LANGUAGE OF OTHERS

A MEMOIR

Intimate, subtle insights about a unique mother-daughter relationship.

How a series of letters helped the author understand why her parents left when she was a teenager.

When Koh (A Lesser Love: Poems, 2017) was 15, her mother and father left her and her older brother in California to move back to Korea, where Koh’s father had been offered a lucrative job. “It was the kind of opportunity,” she writes, “others might envy or criticize….Both position and pay left a knot of amazement on my parents’ faces.” The position was supposed to last three years, after which they would return to their children. But then the contract kept getting extended, leaving the author feeling abandoned. Her mother wrote letters and called home on a regular basis, but Koh struggled with her absence. Years later, she rediscovered the box of tear-stained letters written primarily in Korean and set about translating them. In the process, she began to see her mother in a more rounded, fleshed-out form and to fully comprehend the love transmitted through her mother’s words and her ongoing pleas for forgiveness for leaving her daughter at such a pivotal age. Koh was also able to understand more about her grandmother, who witnessed the terrible 1948 massacre on Jeju Island, and what it means to be a mixture of Korean, Japanese, and American. The author includes her translations of some of her mother’s letters as well as the originals. Her bewilderment regarding her mother’s decision is deeply evident, as are her gradual perceptions about how the move affected her mother. Koh also provides information on her travels to Japan, where she studied, and her brief stint as a dancer in Korea, and she explains how she eventually found her way into a poetry writing program in college and how that further helped her grasp the feelings embedded in her mother’s letters.

Intimate, subtle insights about a unique mother-daughter relationship.

Pub Date: Jan. 6, 2020

ISBN: 978-1-947793-38-5

Page Count: 216

Publisher: Tin House

Review Posted Online: Sept. 28, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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