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DEATH IN THE CLOUD

An engaging and often lively novel.

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In Simon’s latest series thriller, two brothers take on a powerful neo-Nazi organization that uses stolen artificial intelligence in its quest for world domination.

Years ago, Alex Nicholas was gunned down while having dinner in a restaurant. However, thanks to artificial intelligence software that he helped to create, he finds a way to continue his existence in the cloud—as a realistic, nearly sentient facsimile of his living consciousness. His brother, Michael, now the head of Alex’s company, Tartarus, finds solace in this version of his brother and talks to him regularly through a computer interface. Unfortunately for the Nicholas brothers and for the rest of the world, Monsignor Kurt Schlegelberger and Claus Dietrich, members of the Neo-Nazi Free Forces Party, get hold of Alex’s technology and aim to use it to fulfill their goal to “finish what Adolf Hitler began.” Fortunately, the United States government enlists the help of Michael and Alex to stop them. Over the course of this action-packed story, Simon, the author of Death Logs Out (2019), employs prose that’s potent and detailed. He also seamlessly weaves in side plots, including one involving Michael’s former bodyguard/lover, which manage to work even when they’re not particularly necessary to the already busy story. Michael is the de facto protagonist, but Alex is more likely to pique readers’ interest. The chapters effectively veer among the actions of various players, from Michael and Alex’s conversations in Westport, Connecticut, to President Harry O’Brien’s conversations with his security team in Washington, D.C., to a hijacker’s actions as he commandeers a plane and aims to fly it into the White House. The plot does lose some momentum in the middle, however, as characters’ conversations become a bit repetitive.

An engaging and often lively novel.

Pub Date: N/A

ISBN: N/A

Page Count: 338

Publisher: Manuscript

Review Posted Online: June 25, 2020

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WE ARE ALL GUILTY HERE

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

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More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.

In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

Pub Date: Aug. 12, 2025

ISBN: 9780063336773

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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