The large cast, looping plot line, and embedded stories with different narrators require careful sorting, but the effort is...
Admirable acts, challenging ideas, and grace notes positively festoon this superb tale of four sixth graders and a paraplegic teacher forming a junior high Academic Bowl team that sweeps away the competition.
The plot is composed of interwoven puzzles. What prompts Mrs. Olinski to choose Noah, Nadia, Ethan, and Julian for the team over the usual overachievers and honor students in her class? What do they know about her, themselves, and each other that puts them so precisely on the same wavelength and gives them such complementary knowledge and experience? Each has a tale to tell, in the course of which all four witness acts of kindness and respect that teach them to find those feelings in themselves and others. In wry prose filled with vivid imagery, information, and often oblique clues, Konigsburg takes her team through bonding, drills, and a series of contests as suspenseful as any in sports fiction; the children and Mrs. Olinski's public triumph mirror inner epiphanies of rare depth and richness.
The large cast, looping plot line, and embedded stories with different narrators require careful sorting, but the effort is eminently worthwhile, and Konigsburg kindly provides answers at the end. (Fiction. 11-13)Pub Date: Sept. 1, 1996
ISBN: 978-0-689-80993-4
Page Count: 163
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
BOOK REVIEW
BOOK REVIEW
Born in 1920 with cerebral palsy and dismissed by ignorant doctors as feeble-minded, Petey Corbin spends all but the first two years of his long life institutionalized, his world barely larger than the walls of an asylum ward or, much later, nursing home. Within those walls, further imprisoned in an uncontrollable, atrophied body, he nonetheless experiences joy and love, sorrow, loss, and triumph as intensely as anyone on the outside. Able to communicate only with rudimentary sounds and facial expressions, he makes a series of friends through the years; as a very old man in a 1990s setting, he comes into contact with Trevor, a teenager who defends the old man against a trio of bullies, and remains a loyal companion through his final illness. This is actually two books in one, as with a midstream switch in point-of-view as the story becomes Trevor’s, focusing on his inner growth as he overcomes his initial disgust to become Petey’s friend. Mikaelsen portrays the places in which Petey is kept in (somewhat) less horrific terms than Kate Seago did in Matthew Unstrung (1998), and surrounds him with good-hearted people (even Petey’s parents are drawn sympathetically—they are plunged into poverty during his first two years by the bills his care entails). There are no accusations here, and despite some overly sentimentalized passages, the message comes through that every being deserves care, respect, and a chance to make a difference. (Fiction. 11-13)
Pub Date: Sept. 1, 1998
ISBN: 0-7868-0426-2
Page Count: 280
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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