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THE LIGHTHOUSE

A peculiar but engrossing family drama, elevated by truly rich characters.

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After 10 years away, a 26-year-old woman returns home to confront her past and rediscover her family in Kozak’s (Root Causes, 2013) novel. 

While in a coffee shop, Leah Larsen does an online search for her parents—as she’s done every so often since running away from home at 16—and discovers that her mother has died. Using what little money she has left, Leah travels to Taos, New Mexico, returning to the family ranch and the prestigious resort that her late grandfather designed, the Lighthouse. There, she finds her beloved aunt and uncle; her father, who greets her with expected “condemnation and contempt”; and Niels, the son whom she’d abandoned after her teenage pregnancy. Another figure, who’s unfamiliar to Leah, is Theo Wilde, her older cousin who tends to the stables. He’s a bit of a black sheep, as she is—a handsome artist who leaves the care of his own young son mostly to his uncle. He immediately feels connected to Leah, the cousin he barely knew, and encourages her to stay. When Theo’s brother Ben also feels compelled to come home to help get the resort’s struggling finances in order, the entire family is together for the first time in a decade. Leah finds herself on a path to uncover deep truths about her own past and her family’s complicated history, all while experiencing motherhood and a surprising new romance. Throughout this novel, Kozak pays particular attention to setting, surrounding her characters with gorgeous mountain scenery and a ranch that’s layered with memories of departed family members; Leah can feel her grandfather’s presence, for instance, “rippling” beneath the walls. The family’s extensive wealth and privilege lowers the stakes, at times—there’s an embezzlement subplot, but there’s little worry that they’ll run out of money—and the book’s unexpected romantic connection may raise eyebrows. But Kozak has crafted warm, inviting, and thoughtful characters here; there’s family bickering, of course, but they mostly speak to one another with fierce intelligence and admirable honesty. Even in dark moments, it’s a pleasure to spend time with them.  

A peculiar but engrossing family drama, elevated by truly rich characters.

Pub Date: N/A

ISBN: 978-0-228-81055-1

Page Count: 355

Publisher: Tellwell Talent

Review Posted Online: Nov. 12, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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