by Elaine Lui ‧ RELEASE DATE: April 22, 2014
Lui's memoir demonstrates an undeniable mother–daughter bond that leaves readers with one overriding lesson: “[L]isten to...
Laineygossip.com blogger Lui strikes a discordant note with the title of her memoir, but readers will find an affectionate tribute to her tough, powerful Chinese mother.
When the author was young, an unnaturally loud voice earned “Ma” the sobriquet Squawking Chicken. It’s an “all-out assault…sharp, edged and quick,” writes Lui, who felt the sting of her mother’s tongue many times. After her parents divorced when she was 7, the author spent the school year in Toronto with her low-key father and vacations in Hong Kong with her demanding mother. Ma’s child-rearing techniques included telling ghost stories that warned against behavior that brings bad luck, using feng shui edicts to control decisions and strict rules of comportment. Readers may laugh at the embarrassing-moments-with-Mom stories and also squirm at Ma’s verbal cruelty. In contrast to a permissive, childcentric parenting style so pervasive in Western culture, Ma abhorred praise as a motivator and discouraged unrealistic aspirations. Bragging and rebellion were met with public derision, and shaming and demeaning were the preferred forms of punishment. Though open affection was rare, her love was indisputable. Ma’s harsh ways reflected a determination to spare Lui the hardships she had to endure. At 15, she quit school and went to work at a restaurant to support her siblings while her unemployed parents “slept off all-night mah-jong sessions.” Then, while walking home after work, she was raped. With no sympathy from her parents, she voiced her shame, anger and frustration by screaming all night. That was the birth of Squawking Chicken. Thereafter, she used her voice to protect herself and others. For all her in-your-face tough love, baffling and amusing rules, and opinions about people and situations, Ma has been, more often than not, uncannily right-on.
Lui's memoir demonstrates an undeniable mother–daughter bond that leaves readers with one overriding lesson: “[L]isten to your mother.”Pub Date: April 22, 2014
ISBN: 978-0-399-16679-2
Page Count: 288
Publisher: Amy Einhorn/Putnam
Review Posted Online: Feb. 28, 2014
Kirkus Reviews Issue: March 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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