This overly long novel explores large issues about Art and Truth, but fails to create compelling characters or plot that will keep readers engaged. While Alphin’s highly readable Counterfeit Son (2000) crackled with suspense, this one sets the reader up for disappointment from the beginning. The first page describes the grave of a dead student, visited by his murderer. But there is no murder, only a suicide for which one character feels guilty. Telling rather than showing, narrator Charles explains why he transferred to an arts school as a junior. He presents himself in long, repetitive monologues as an arrogant, anguished painter, unappreciated by his parents and boorish teachers, ostracized by jealous classmates since preschool. His bleakly truthful paintings, executed without training, make everyone so uncomfortable that they reject him. Now he won’t let anyone see his paintings for fear of further rejection, conveniently overlooking the fact that he won a scholarship based on his art. At the boarding school, he forms a tentative friendship, heightened by sexual tension, with Graeme, a senior famous for having a novel published as a sophomore. Charles hopes Graeme can tell him how to survive without conforming to others’ expectations, but Graeme’s occasional journal entries reveal how few answers he has. While Charles’s self-righteous, self-absorbed character is plausible, his voice quickly becomes tedious. Some teenage artists may see themselves here, but most readers will tire of Charles long before his final epiphany about life and art. (Fiction. YA)
Pub Date: May 1, 2001
ISBN: 0-15-216355-7
Page Count: 272
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Somberly beautiful.
A girl goes in search of her missing sister and discovers a strange hidden world of dreams.
Corin, who’s 18 and dark-skinned, strives to protect her 12-year-old sister, Elly. But life as a thief is full of struggle, poverty, and loss, even without Corin’s avoidance of other relationships. Elly clings to the promise of fairy tales, like the one that says a princess lies sleeping in an underground castle after pricking her finger on a spindle. After the sisters fight and Elly runs off, Corin searches for her in Gyldan’s old network of tunnels—and finds the tale is true: Cursed Princess Amelia, golden-haired, with eyes like “sea glass” and porcelain skin, lies asleep, surrounded by flowers. Corin enters the princess’ dreamworld—the place “where your subconscious desires come to life.” She meets Briar Rose, Amelia’s alter ego, who experienced her share of sadness and wanted to fall asleep. Also in the dreamworld is green-skinned Malicine, the nonbinary demon who, despite having placed the curse of eternal slumber on Amelia, is mostly friendly. All three are running from things they can’t face, though the dreamworld may not give them a choice. Pham’s debut, a Sapphic reimagining of “Sleeping Beauty,” explores mental health and asks a lot of readers as it seesaws between emotional confrontations, time jumps, and scenes where one character inhabits the memories of another, all of which demand intense engagement. Still, the ending is earned as well as positive.
Somberly beautiful. (content note) (Fantasy. 14-18)Pub Date: June 2, 2026
ISBN: 9798217113026
Page Count: 400
Publisher: Kokila
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
