Although the protagonist’s misery is understandable, it’s still a relief when she finally starts rising above it. If only...

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DON'T TELL ANYONE

A British art historian tries to prove the innocence of a young man she has every right to hate in this genre debut from hitherto pseudonymous Gray.

Grace Neville thinks she knows what heartbreak is when Archie, her husband of 13 years, leaves her for a younger woman. The safe, secure world she’s tried to build after her nomadic childhood vanishes in an instant. But after she struggles to rebuild it, the murder of her daughter, Tara, shatters her. Even the trial and conviction of Jordan Dukes, Tara’s hood of a boyfriend and presumptive killer, brings Grace no comfort or satisfaction. Nor does the alcohol she drinks to numb herself, the support of her bohemian mother and sister, a new hairdo, shopping expeditions in the quaintly named towns of Stow-on-the-Wold and Moreton-in-Marsh, or her sporadic work at an art gallery. The one person who gets past her wall of grief is Allan, Jordan’s father, who insists that his son didn't kill Tara. Against her family’s advice, Grace visits Jordan in prison and comes away willing to entertain a different theory. Her belief in the criminal justice system is undermined when she finds out that the police have been trying to bag Jordan for a long time and would have seized any excuse. Trying to find out the dirty secret that might have accounted for Tara’s increasingly moody and difficult behavior gives Grace a new purpose. But she’s still held back by her feelings for Archie, despite ever growing evidence of how weak, shallow, and selfish he is. Grace can’t stop loving him until a further betrayal makes even her begin to doubt him. Two unlikely white knights, a convenient coincidence, and a revelation from left field finally bring Grace more healing peace and acceptance than her readers are likely to enjoy.

Although the protagonist’s misery is understandable, it’s still a relief when she finally starts rising above it. If only she could do the same with the awkward plot.

Pub Date: Dec. 8, 2016

ISBN: 978-0-7387-5022-4

Page Count: 384

Publisher: Midnight Books

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

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SHAKESPEARE FOR SQUIRRELS

Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir, 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.

Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice, 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.

A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

Pub Date: May 12, 2020

ISBN: 978-0-06-243402-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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