A bold but often nebulous collection that’s not too interested in the specifics.
The mundane staples of modern life take on startling new meaning in Lerman’s (The Sensual World Re-remerges, 2010, etc.) inventive, ruminative book of poems.
Alive with Lerman’s desire to escape from “the manacles of money,” from “what’s in the news” and “the mill...that grinds out the fate of the world,” this wild collection of poetry seeks transcendence from the pedestrian modern world. With bizarre imagery and strange ruminations mingling with descriptions of everyday happenings, the poems derive their energy from the contrast between the ordinary and the unusual. Appearing with little warning or explanation are “ancient magicians” and “aliens” as well as irreverent mentions of gods, Greek myths, ancient superstitions and deft descriptions such as “a laborer in a sun-god suit.” Time plays an important role, not only in the poet’s unwillingness to conform to the “neat little packages of time that were delivered / with the dry goods and the milk,” but in frequent bouts of yearning for a past characterized by better sleep, greater confidence and, readers are led to surmise, greater happiness. Coupled with this nostalgia comes a fear of the future “because the minutes / of the last meeting show / that tomorrow and tomorrow and tomorrow / was never really planning to be your friend.” Yet, the poems insist, that fear could be less frightening than our imaginations might have us believe: “At the time you were struggling...blossoms have begun appearing / on the windowsill.” However, as with that example, the exact nature of what the unstated character was evolving from or into is left unknown. Such vagueness is a recurring issue in the collection; even the poems structured as narratives often contain confusing jumps in action and more rumination than concrete detail. This haziness is similarly evident in the themes—wealth, conformity, routine—which are all examined and usually denounced, though Lerman offers little specific criticism and only the vaguest of solutions.
A bold but often nebulous collection that’s not too interested in the specifics.Pub Date: March 4, 2014
ISBN: 978-1936419357
Page Count: 90
Publisher: Mayapple Press
Review Posted Online: Feb. 13, 2014
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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