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THE SAMMY WONG FILES

This warm account of a Chinese family’s assimilation in Minnesota during the anti-Communist ’50s is a familiar, heartfelt...

Under the scourge of McCarthyism, 21-year-old Chinese-American Telemaque was forced to question whether she was the all-American she always thought herself to be.

At home on the Minnesota-Iowa border, Telemaque’s family ran the Canton Café. There, her father, uncle and cousins served Chinese food to the locals, aided by a liberal-minded lawyer “Mayor Johnny” and the friendly kuie (ghosts) conjured by her mother. Their lives were a rich mix of Chinese tradition, insisted on by her mother, who refused to learn English and feared her children would turn into “white devils”; and of the capitalist politics fervently espoused by her father, a supporter of Chiang Kai-shek against the Communists during the Chinese Civil War. As a student, Telemaque spent her afternoons at the café, studying in a back booth, cleaning celery for the chow mein and ringing up customers. Frustrated by her mother’s unremitting Chinese-ness, Telemaque modeled herself on the Americans around her, at one point so taken with a teacher’s tale about a girl with flaxen braids that she attempted to dye her black hair yellow. But as Telemaque grew to understand her mother’s proud past, she sought Chinese groups in college, mainly to meet men. Though diligently working at the UN and with UNESCO, she found herself under the scrutiny of the US State Department’s Loyalty Board: Her associations in college, the Chinese student group and American Youth for Democracy were on the Attorney General’s “spy” list. In a heart-wrenching scene, her father, a capitalist and American to the core, is accused by an FBI agent of being anti-American. Caught in the loopholes of confusing immigration laws, he was forced to plead his case through his English-speaking daughter with as much dignity as the two could muster. Though her story ends abruptly and there is little reflection in the narrative–the author recounts anecdotes more often then she explores her own motivations or insights–the vignettes of her family and life are as sincere and cozy as the descriptions of her father’s restaurant.

This warm account of a Chinese family’s assimilation in Minnesota during the anti-Communist ’50s is a familiar, heartfelt American tale.

Pub Date: Jan. 12, 2007

ISBN: 978-1-4257-1238-9

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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