A carefully crafted tale that offers a fresh, woman-centered reevaluation of an ancient story.
A minor character in the Trojan War becomes the hero of this historical novel.
In the Iliad, Briseis finds herself the prize of Achilles when the famed warrior kills her husband, King Mynes. Achilles’ surrendering her to King Agamemnon is a turning point in the Trojan War, but her appearances are fleeting in Homer’s epic. Medieval poets will develop her character further, and the resulting romances will inspire Shakespeare, for whom Briseis becomes Cressida. Douglas goes back to the source while creating a distinctive hero. Here, Briseis accepts a loveless arranged marriage as her lot but discovers a sense of loyalty to Mynes when she’s treated as the spoils of war. Her beauty—and fiery spirit—attracts the attention of the “fair and honorable” Achilleus (the author uses the alternative spelling) after he kills Mynes. Accepting the role of Achilleus’ favorite would give her freedoms and luxuries other captives are denied, but to do so would dishonor her husband’s memory and herself. It’s only after she has prayed for release from Achilleus that she falls in love with him. By then, the gods have already intervened—or is she just playing a part decreed by the Fates? In making Briseis the hero of her story, Douglas skillfully gives center stage to women who are mostly silent pawns or invisible in the Iliad and most texts inspired by it. Briseis finds friends—and enemies—among the women captured by the Greeks. She forges alliances with Andromache—the wife of Achilleus’ greatest rival—and Helen of Troy. Whatever sides their husbands or lovers are on, these women must look out for themselves. But unless Douglas chooses to break with Homer—and the laws of Greek drama—an unhappy ending is ordained. Briseis begs Achilleus to forget about his honor and take her to his home so they can live in peace. This is where the narrative starts to strain credulity. Briseis’ desires are understandable, but her apparent ignorance of the roles of honor and a heroic death in her universe doesn’t make much sense—especially given her commitment to protecting her husband’s honor by not giving herself to Achilleus. That said, Douglas adds emotional heft to the bare bones of a foundational work of Western literature.
A carefully crafted tale that offers a fresh, woman-centered reevaluation of an ancient story.Pub Date: April 7, 2022
ISBN: 979-8-985529-86-9
Page Count: 410
Publisher: Penmore Press LLC
Review Posted Online: June 24, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Fresh and upbeat, though not without flaws.
An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.
Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.
Fresh and upbeat, though not without flaws.Pub Date: Sept. 14, 2021
ISBN: 978-0-593-33682-3
Page Count: 384
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
PERSPECTIVES
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
