A girl, a city, an inhospitable society: Ferrante’s formula works again!
An overheard remark prompts an adolescent girl to uncover the truth about her relatives (and herself) in Ferrante’s precise dissection of one family’s life in Naples.
Upon hearing her father refer to her, disparagingly, as having the same face as a despised and estranged relative, 12-year-old Giovanna, previously a good student and affectionate daughter, embarks on an odyssey of detection and discovery through areas of Naples from which her educated and progressive parents have shielded her. Desperate to determine whether she, indeed, resembles the abhorred Aunt Vittoria, Giovanna seeks out her father’s sister and develops a fraught relationship with the troubled woman. The process of untangling generations of internecine deceit and rivalry—including the provenance of a peripatetic heirloom bracelet—leads Giovanna to truths about the conventional lies told by her parents and to decisions about how she wishes to conduct her own, not-yet-adult, life. (The bracelet appears to have mutable properties and serves as either charm or handcuff, just another thing to ask the enigmatic author about over coffee.) Ferrante revisits previously explored themes—violence against women, female friendships, the corrosive effects of class disparities—albeit in a more rarified sector of Naples (the privileged “upper” neighborhood of Rione Alto) than in her earlier Neapolitan Quartet. Giovanna’s nascent sexuality is more frankly explored than that of previous Ferrante protagonists, permitting the author to highlight two sides of teen sexuality: agency and abuse. Goldstein’s fluid translation once again allows readers into the head of a young woman recalling with precision and emotion a series of events which lead to a point of confession. Ferrante’s legion of devoted readers will be encouraged by another equivocal ending, permitting the hope of further exploration of Giovanna’s journey in future volumes.
A girl, a city, an inhospitable society: Ferrante’s formula works again!Pub Date: Sept. 1, 2020
ISBN: 978-1-60945-591-0
Page Count: 336
Publisher: Europa Editions
Review Posted Online: Aug. 9, 2020
Kirkus Reviews Issue: Sept. 1, 2020
SEEN & HEARD
BOOK TO SCREEN
PERSPECTIVES
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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