A celebration of friendship on the margins is the theme of Cuban-born Mu§oz's first novel in English. Back home in Cuba, when they and the revolution were young, tomboy Rosita and effeminate Marito shared ``a stereotypical biography: macho-father, puppet-mother. The Works. We help and comfort each other. You have a secret; it's similar to mine; we're accomplices.'' And before Rosita's family leaves Cuba, the two put on, just for themselves, a theatrical performance—``our spectacular debut''—in which Rosita plays the leading man, and Marito the Carnival Queen. Their voices alternate in the book, though Rosita is the more unusual narrator, as they describe their experiences: Marito still in Cuba and fearing arrest as a homosexual; Rosita in California. At first Rosita is homesick for Cuba, refusing to speak English unless it is absolutely necessary, but then one day she decides that ``I need to stop living off my memories. I began to see nostalgia as my enemy.'' She graduates from college, teaches, has an affair with Joan from the Midwest; meanwhile, Marito, now also in exile, is an artist and part of the gay culture of San Francisco. The two meet again, and renew their friendship; having searched ``Heaven and Earth for a true love, for a generous homeland, for a family who wouldn't abuse us or condemn us, for a body who wouldn't betray our truest secrets, we found each other.'' When Marito dies from AIDS, Rosita resolves to keep his memory alive—``I will let myself dream as I invent your dream.'' The pain of cultural and sexual alienation is vividly described, and Rosita, in particular, is an engaging protagonist, but the novel itself is too bitty, too brief, for the really big themes it suggests.
Pub Date: Oct. 1, 1991
ISBN: 1-55885-034-4
Page Count: 152
Publisher: Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1991
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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