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THE GAZE

A strange, hallucinatory work.

From Turkish novelist Shafak (The Saint of Incipient Insanities, 2004, etc.), a richly layered narrative concerning misfits and how society views them.

The story of a Victorian-era circus impresario improbably named Keramet Mumî Keske Memis Efendi galvanizes the other dramatis personae in this mishmash. Born the only son in a family of six sisters, Efendi has a transparent face, as if made of wax, and his aunt must literally form his eyes into slits. Because of his suffering in a newly modern society where appearances are of supreme importance, Efendi develops an ability to see what others cannot; he resolves to create a theater of spectacles in the city of Pera under a cherry-colored tent where the ugliest creatures will be displayed. One of his most compelling acts is the hideous Sable-Girl, a half-sable, half-human creature who descends from a lineage of 17th-century Siberian trappers. Meanwhile, the narrative cuts to 1999 in Istanbul’s Hayalifener Apartments, where an enormous woman, writing in the first person, recounts her difficulties moving about in society while also living with a man utterly unsuited for her, a dwarf called B-C. Driven by the unwanted attention the couple attracts (they often appear in public incognito), B-C begins to write a Dictionary of Gazes that will demonstrate in entries seemingly unrelated to each other about how everything has to do with seeing and being seen. It will be “like a shaman’s cloak of forty patches and a single thread,” the dwarf notes, though his girlfriend is skeptical and increasingly anxious as the dictionary absorbs B-C’s attention and hinders him from actually seeing her. In the end, the fragments of this imaginative work, riveting in themselves, resist converging into a cohesive mosaic.

A strange, hallucinatory work.

Pub Date: Oct. 14, 2006

ISBN: 0-7145-3121-9

Page Count: 270

Publisher: Marion Boyars

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2006

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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