This book has more romance and less satiric bite than the author's best comic novels (The Family Man, 2009, etc.).
Lipman’s latest is a post–financial-crash comedy about a 50-ish widow and her divorced sister living together in a Greenwich Village apartment.
After the heart-attack death of her beloved husband, Gwen-Laura accepts her older sister Margot’s invitation to move into Margot’s penthouse both for companionship and to save money. Margo’s ex, fertility doctor Charles, is in jail for behavior that was both scandalously illegal and adulterous. Margo, who made the unfortunate mistake of investing her divorce settlement with scam artist Bernie Madoff, is now not only divorced, but broke. Margo is a drama queen with a blog devoted to anti-Madoff resentment. Gwen-Laura is a bit of a retiring mouse who doesn’t acknowledge her potential sex appeal. (Their bossy younger sister Betsy is still married, employed and financially solvent.) Soon, the sisters move in an unrelated, not exactly appropriate roommate: former Lehman Brother employee Anthony, who is not only gay, but in his 20s. Fueled by liquor and the wonderful cupcakes Anthony bakes, the three are having a lovely time together when Charles, newly sprung from prison, moves into a studio apartment in the same building and starts a campaign to win back Margot that includes introducing everyone to his newly discovered 19-year-old son, Chaz, the result of his fertility hanky-panky. Will Margot drop her new blog boyfriend, screen named HardUp, for narcissistic but maybe self-improving Charles? Will Gwen-Laura ever meet a decent man once she grudgingly enters the world of Internet dating? Will Anthony meet a decent man too? The answers are not terribly surprising, but Lipman is more interested in the jokes than the characters, taking a sitcom approach. Although the author throws in plenty of contemporary social details, Gwen-Laura and Margot feel dated, closer to the world of Auntie Mame than Girls and without the edge of either.
This book has more romance and less satiric bite than the author's best comic novels (The Family Man, 2009, etc.).Pub Date: April 16, 2013
ISBN: 978-0-547-57621-3
Page Count: 272
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
To use the parlance of the period, a highly relevant retrospective.
Nantucket, not Woodstock, is the main attraction in Hilderbrand’s (Winter in Paradise, 2018, etc.) bittersweet nostalgia piece about the summer of 1969.
As is typical with Hilderbrand’s fiction, several members of a family have their says. Here, that family is the “stitched together” Foley-Levin clan, ruled over by the appropriately named matriarch, Exalta, aka Nonny, mother of Kate Levin. Exalta’s Nantucket house, All’s Fair, also appropriately named, is the main setting. Kate’s three older children, Blair, 24, Kirby, 20, and Tiger, 19, are products of her first marriage, to Wilder Foley, a war veteran, who shot himself. Second husband David Levin is the father of Jessie, who’s just turned 13. Tiger has been drafted and sends dispatches to Jessie from Vietnam. Kirby has been arrested twice while protesting the war in Boston. (Don’t tell Nonny!) Blair is married and pregnant; her MIT astrophysicist husband, Angus, is depressive, controlling, and deceitful—the unmelodramatic way Angus’ faults sneak up on both Blair and the reader is only one example of Hilderbrand’s firm grasp on real life. Many plot elements are specific to the year. Kirby is further rebelling by forgoing Nantucket for rival island Martha’s Vineyard—and a hotel job close to Chappaquiddick. Angus will be working at Mission Control for the Apollo 11 lunar landing. Kirby has difficult romantic encounters, first with her arresting officer, then with a black Harvard student whose mother has another reason, besides Kirby’s whiteness, to distrust her. Pick, grandson of Exalta’s caretaker, is planning to search for his hippie mother at Woodstock. Other complications seem very up-to-date: a country club tennis coach is a predator and pedophile. Anti-Semitism lurks beneath the club’s genteel veneer. Kate’s drinking has accelerated since Tiger’s deployment overseas. Exalta’s toughness is seemingly untempered by grandmotherly love. As always, Hilderbrand’s characters are utterly convincing and immediately draw us into their problems, from petty to grave. Sometimes, her densely packed tales seem to unravel toward the end. This is not one of those times.
To use the parlance of the period, a highly relevant retrospective.Pub Date: June 18, 2019
ISBN: 978-0-316-42001-3
Page Count: 432
Publisher: Little, Brown
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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