A thoughtful, thought-provoking, and incredibly fun study of queerness across the animal kingdom.
An entertaining, informative tour through the sexual diversity of animal life.
From bonobos to fruit flies, wrasse fish to bottlenose dolphins, Schrefer, who is part of New York University’s animal studies master’s program, explores nonhuman animals’ lives in the contexts of sex and gender. Do nonhuman animals have sex purely for pleasure? Are they ever polyamorous? Are there trans animals? Intersex ones? Intercut with delightful comics, memoirlike vignettes, queer theory, and interviews with experts including a primatologist, evolutionary biologist, science historian, and wildlife ecologist (to name a few), Schrefer takes seriously the desires and pleasures of animals’ lives, revealing how gender and sexuality are experienced as social and not just biological constructs. The book is motivated by compassion, as Schrefer explains: “I think care for animals leads to greater care for humans, too, since we all share the natural world, and the same systems of power that endanger animals also endanger humans.” This regard extends to young people, as Schrefer writes a love letter to his 11-year-old self, who needed to know that queer people are indeed a part of nature. While the book uses a human identity-based framework to understand animals whose consciousnesses we can’t possibly understand, it will help queer kids feel less alone as it highlights the filtered lens through which the animal kingdom has for too long been presented.
A thoughtful, thought-provoking, and incredibly fun study of queerness across the animal kingdom. (glossary, notes, selected bibliography, index) (Nonfiction. 12-18)Pub Date: May 24, 2022
ISBN: 978-0-06-306949-7
Page Count: 240
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
PERSPECTIVES
Witty and funny, with well-rounded characters who face complex inner moral issues.
In a world dominated by order, chaos threatens to upend tradition when unlikely competitors are chosen to fight for the throne.
Emperor Erasmus is dead, leaving the Great Dragon to decide the future of the Etrusian Empire. Traditionally, the oldest child from each of the five Houses and his or her dragon compete for the throne. However, this time outsiders are called to compete: Chara and her rider, Emilia, youngest daughter of House Aurun, who holds the magic of chaos; Tyche and her rider, Lucian, reformed warrior of House Sabel; Karina and her rider, Vespir, the lowborn, lesbian servant girl and dragon handler of House Pentri; Dog and his rider, Ajax, the wily illegitimate son of House Tiber; and Minerva and her rider, Julia, who are challenged by Hyperia, who believes the throne is her birthright, and her feral dragon, Aufidius. During the stages of the Emperor’s Trial—the Hunt, the Game, the Race, and the Truth—each competitor faces their own personal weaknesses. Multiple perspectives create depth in this complex fantasy world with flawed human characters who have murder, destruction, thievery, and cowardice in their backgrounds. Cluess’ dragons have unique personalities and voices of their own, becoming as central to the story as their human riders. Most characters are cued as white; blonde hair and blue eyes are valorized. Vespir’s lesbian identity is neatly and naturally woven into her character.
Witty and funny, with well-rounded characters who face complex inner moral issues. (map) (Fantasy. 12-16)Pub Date: May 12, 2020
ISBN: 978-0-525-64815-4
Page Count: 448
Publisher: Random House
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
Too much hat, not enough cowboy.
A dystopian flip of colonialism mixes with horses on fire.
In the Empire, the dark-skinned Ashlords are a minority but have all the power. Each year they stage a spectacular multiday race on phoenixes—horses that rise from ashes at dawn only to die in flames each night. Pippa, the teen daughter of former winners, is this year’s favorite, but she’s challenged by Adrian, a tough Longhand cowboy from an oppressed group of rebels, and Imelda, the lone Dividian given free entry into the contest. The light-skinned Dividian were invaders who failed to conquer and who now live subject to the Ashlords (who credit their superiority to the intervention of their many gods). Phoenixes can have magical powers, depending on what you add to their ashes. It’s a lot of stuff crammed into one novel. Reintgen (Saving Fable, 2019, etc.) fits it all in, mostly (the gods never do make sense), with economical, crisp writing, at the expense of character development and overall clarity. The most well-developed relationship, between Imelda and her friend Farian, is abandoned after the first chapters. The worldbuilding falters, too: They have sophisticated computerized technology, including holograms and video streaming, but rely on horses and carriages for all transportation. It requires close reading to understand that the pale, invading Dividian majority are oppressed; the facts are told piecemeal without the analysis that might have given readers insights into our own world's history of colonialism
Too much hat, not enough cowboy. (Fantasy. 13-18)Pub Date: Jan. 21, 2020
ISBN: 978-0-593-11917-4
Page Count: 368
Publisher: Crown
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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