An energetic, simple exploration of food’s journey from farm to table for today’s young locavores.
Chepito, an inquisitive little boy, wanders around his agricultural community posing the titular question to the various people he encounters, all laborers involved in food production.
Manuel tends corn, Ramón milks the cow, and Maria makes tortillas. As Chepito asks his friendly neighbors why they are doing their various activities, they each respond in a way that helps him to understand not only what it is that they are doing, but how it connects to his life specifically. When asked why she is feeding the chickens, Doña Ana tells him, “So that they can grow strong and lay good eggs like the ones you just had for breakfast.” The soft, earthy palette of the illustrations is well-suited for the rural setting. Each character wears a subtle grin on his or her face, complementing the curious tone of the narrative. Spanish words are presented throughout the text, blended in with the English without the use of special typeface or simultaneous translations, though context makes them clear: Juan and Dolores are tying plants to sticks “[s]o that these beans can grow on the plants. See the frijoles inside?” A brief glossary at the end provides the English definitions of the Spanish words.
An energetic, simple exploration of food’s journey from farm to table for today’s young locavores. (glossary) (Picture book. 3-5)Pub Date: June 10, 2014
ISBN: 978-1-55498-453-4
Page Count: 28
Publisher: Groundwood
Review Posted Online: April 15, 2014
Kirkus Reviews Issue: May 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
If Black Lives Matter, they deserve more specificity than this.
A lushly illustrated picture book with a troubling message.
Little Lala walks with her father after his successful day of fishing. When Mama calls her home for bed, a host of “good night”s delays her: to the bird, the monkey, and even the rock. As Lala wanders through her village in the darkening twilight, readers appreciate its expansive beauty and Lala’s simple joys. Although it’s been artfully written and richly illustrated by an award-winning author of many multicultural stories, this book has problems that overshadow its beauty. “African veld” sets the story in southern Africa, but its vague locale encourages Americans to think that distinctions among African countries don’t matter. Lala wears braids or locks that stick straight up, recalling the 19th-century pickaninny, and her inconsistent skin color ranges from deep ebony like her father’s to light brown. Shadows may cause some of these differences, but if it weren’t for her identifiable hair, readers might wonder if the same child wanders from page to page. Perhaps most striking of all is Lala’s bedtime story: not an African tale but an American classic. While this might evoke nostalgia in some readers, it also suggests that southern Africa has no comparably great bedtime books for Lala, perhaps in part because American children’s literature dominates the world market.
If Black Lives Matter, they deserve more specificity than this. (Picture book. 3-5)Pub Date: March 14, 2017
ISBN: 978-0-399-17384-4
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Leave this on the shelf and take the kids outside to really move.
An interactive board book promises a variety of experiences.
A book that gets kids up and moving sounds like a great idea. The half-circle cutout of the spine and large handle formed by another die cut on the right side are intriguing. Unfortunately, the rhyming instructions for using the book as an exercise prop are confusing. Even adults will find themselves puzzled when told to “paddle the floor,” or to “hang on the handles. Step over the book. / You're a turtle in its shell! Go peek out and look.” The busy pictures shift perspective according to each scenario presented but give few visual clues. For example, the only hint of a dinosaur on the page where readers are told to “put this book to your mouth and let out a roar” like a dinosaur are the teeth that line the edges of what is meant to be a gaping maw. It’s not always obvious whether the book is meant to be facing readers or turned away from them, adding another layer of confusion. Furthermore, many of the instructions run counter to how young children are typically taught to treat books, as when they are told to step on it and then waddle or to lift it with their feet. The relatively thin board pages and weak handles will soon be torn by normal handling; following the directions in the text will only hasten the destruction.
Leave this on the shelf and take the kids outside to really move. (Board book. 3-5)Pub Date: May 3, 2016
ISBN: 978-0-7611-8733-2
Page Count: 32
Publisher: Workman
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: July 1, 2016
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