Crouzet-Pavan is an impressive conductor, making sprightly and complex music out of the myriad strains that shape Venice.
A formidable reading of Venetian history—how Venetians imagined their artistic, architectural, commercial, and political uniqueness—from Crouzet-Pavan (the Sorbonne).
Although the author divides her study of Venice into distinct spheres—the lagoon and then the greater sea world; the relations with terra firma Italy; the evolution of the state; everyday life—in each chapter these elements operate on planes of convergence, in a synchronicity of economic factors, social realities, cultural phenomena, political contingencies, symbols, and specific cartographies. To say that Crouzet-Pavan has a grasp of the literature, from the oldest parchments to contemporary writings, is an understatement, and she is always happy to poke a hole in a thesis—that Venice turned its back on the mainland, for example. She explores the city’s relationship to its site both as trope and as vehicle to commercial and political relationships, its location influencing how it grew through an arduous process of construction and helping shape the networks and customary relations of Venetian life. The historian traces the early crystallization of political forms and institutions, the interventionist character and harmonious activities of powerful families, paradigmatic shifts in government, and the surprising diversity of players within the city’s exclusiveness. Elegantly, she animates her story with the acts, words, and movements of actual Venetians, all within “a space in which men and women, acting in accordance with set rhythms, well-established codes, and accepted signs, fabricated history day by day, lived, produced, came together, and expressed their identities in specific practices and customs.” Crouzet-Pavan constantly shuffles the big picture with the human scale: international relations are crucially important, but so are the role of money-lending and salt production, not to mention confraternities, the parish bell tower, the candlestick maker, the fencing teacher, and the rag seller.
Crouzet-Pavan is an impressive conductor, making sprightly and complex music out of the myriad strains that shape Venice.Pub Date: Oct. 17, 2002
ISBN: 0-8018-6958-7
Page Count: 416
Publisher: Johns Hopkins Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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