These line drawings create a spirited monument to a rocky era in American history.
A debut book offers a collection of drawings from the artist’s time working at various magazines.
This collection begins with a four-page interview between Stevens and her daughter, Laura Schleussner, which reveals the artist/writer’s motivations and insights. Stevens lived in New York City in the early 1960s, working toward a Ph.D. in literature at Columbia University. She drew primarily for the magazines Challenge, the New Leader, and the National Review. This volume includes images depicting turbulent moments in U.S. history, like President John F. Kennedy’s funeral (1963) and the riots following the enrollment of the University of Mississippi’s first black student, James Meredith (1962). Stevens moved to Washington, D.C., in 1965, where she began writing for the Washington Post, eventually transitioning from artist to full-time writer. Following the interview are over 70 black-and-white illustrations—including a removable poster—featuring New Orleans jazz musicians, rural Mississippi and West Texas, industrial America, and striking unions. After the illustrations comes an article called “Death in the Mines” that Stevens wrote about the 1963 Dola, West Virginia, mining disaster for the New Leader. The article shows her artwork as it appeared alongside her grim reportage on the methane gas explosion, which implicated the Clinchfield Coal Company in the deaths of 22 men. Stevens’ collection should be of great interest to those not only fascinated by the 1960s, but also by the story of a woman who “did not want to be a sheltered housewife, like most of my friends from my class at Wellesley.” In the clarity of her voice in the interview, she portrays the struggle of succeeding in an era when most women were expected to toil as secretaries. She learned: “It isn’t enough to be rich. It isn’t enough to be famous. You have to know. You have to understand...and that can be a very hard lesson.” Stevens’ pen line of choice is bold, outlining building facades and strikers’ portraits alike. Most effective are the pieces textured by thinner lines, which lend them an iconic, stamplike quality.
These line drawings create a spirited monument to a rocky era in American history.Pub Date: May 24, 2016
ISBN: N/A
Page Count: 15
Publisher: Goss Press
Review Posted Online: Oct. 15, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Review Program: Kirkus Indie
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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