An elegant, eco-minded collection of tales set in a Montana valley.
A debut novel in stories follows the rise of a Western town through the men and women who build it.
In a remote Montana valley, a community takes shape beneath a snowy crag called Crazy Mountain. A real estate agent seizes an opportunity to buy a massive ranch on the cheap, but flipping it turns out to be a bigger challenge than he bargained for. A wealthy couple from Los Angeles, still mourning the murder of their son, eventually buy the property, but their desire for uninterrupted nature is ruined by the trespasses of their “yokel” neighbors. A divorced man from Missouri uses his last bit of money to start a trailer park, but when he breaks ground on a convenience store to serve his residents, he’s unhappy to find what seems to be an Indigenous burial site. An older woman waits for her husband to die on their remote, snowed-in ranch, knowing she will have to dispose of the body on her own: “It took two weeks for Frank to finish dying.…After he took his last breath and there was nothing left but the body, she undressed him and wrapped him in a cotton sheet, trying not to focus on the miles of empty space surrounding her now that Frank was gone.” Across 15 stories that span from 1970 to 2015, Atchison relates the history of the valley as it develops from a lonesome ranch into a wildfire-threatened exurb. The author’s observant eye for nature makes her an especially adept chronicler of its decline: “Juniper tapped her brakes…when she saw the massive Aspen Springs Subdivision cluttering the sagebrush foothills where the elk used to graze in the bunchgrass all winter long. The hillsides had been taken over by cheatgrass and knapweed and the mountain slopes were stained with the rusty-brown hue of beetle-killed trees.” Each tale takes on a new character’s perspective, leaving the valley itself to serve as the book’s true protagonist. The result is a story collection with a novelistic sweep, capturing what is lost and what is gained in the development of the mountainous West.
An elegant, eco-minded collection of tales set in a Montana valley.Pub Date: May 31, 2022
ISBN: 979-8-9854317-1-1
Page Count: 268
Publisher: Sowilo Press
Review Posted Online: Sept. 8, 2022
Kirkus Reviews Issue: Oct. 15, 2022
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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