Librarians will love sharing this story, maybe. Their listeners will love hearing it, definitely
Quiet in the library? Not while Magnolia is in action!
The irrepressible youngster previously brought an alligator to school and a piano to the beach. Now she is a circus master in the library. Smilingly, she informs the librarian, a white male, that she will follow all the appropriate rules of library behavior, but twirling, tightrope walking, and pie-in-the-face throwing unsurprisingly elicit noisy responses from the racially diverse group of children in the audience. (Black-haired Magnolia herself appears to be Asian.) Alas, the cannon that is supposed to toss her is a dud, resulting in a very loud chorus of boos. How to win back the audience? Read aloud from that action-packed thriller The Three Billy Goats Gruff. Smiling faces return, but soon astonishment takes over as the cannon finally does its job—with Magnolia and the others having to realign shelves and pick up all the fallen books. So the lesson is learned: a circus in the library is “way too noisy.” Parsley’s tale is good fun to read aloud, and the second-person narrative will have listeners immediately caught up in the action. The round-faced children are quite expressive, and the custom typeface embellishes the drama by becoming a dramatic and eye-popping element of the page design.
Librarians will love sharing this story, maybe. Their listeners will love hearing it, definitely . (Picture book. 4-8)Pub Date: May 2, 2017
ISBN: 978-0-316-37661-7
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 31, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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