The inimitable Auntie Claus is back for another Kringle family lesson in the true meaning of Christmas in this successful sequel (Auntie Claus, 1999). This time Auntie Claus’s young nephew, Christopher, decides that he actually wants to be on the B-B-and-G list (that’s the bad boys and girls who won’t be getting any presents). Not only does Chris not believe that Auntie Claus is Santa’s older sister, he also is beginning to have doubts about Christmas altogether. Chris takes his own trip, with the help of Auntie Claus’s diamond key, on the mysterious glass elevator that shoots him straight to Santa’s magical kingdom. There Chris learns that he does indeed believe in Christmas, and that the key to believing is just as Auntie Claus said, “All the best things are invisible. . . . Sometimes you have to believe in order to see.” Primavera’s stylish illustrations in jewel tones are darkly lit with just the right sense of mysterious danger and theatrical suspense for this dramatic tale. Several illustrations recall the movie version of The Wizard of Oz : the tall-hatted guard at the enormous door who turns away the outsider on a quest, the army of strange henchmen, the huge disembodied head who rules a group of followers based on their misbeliefs, and a magical snow globe with Chris inside. In fact, the things that Chris learns at the North Pole—believing in yourself, appreciating your family, and the power of the invisible—are the same lessons Dorothy learned in Oz. “There’s no place like home,” and for anyone named Kringle, there’s no place quite like the North Pole. (Picture book. 5-8)
Pub Date: Oct. 1, 2002
ISBN: 0-15-202441-7
Page Count: 40
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
Sugary uplift, shrink-wrapped for the masses.
An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.
Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)
Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)Pub Date: Dec. 6, 2022
ISBN: 9781728268781
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 17, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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