A distinctive animal alphabet presents a counting game.
The cover displays a large, shiny number eight. What does it mean? The author’s explanation on the title page’s verso provides the ebullient answer. “Why the number 8? Because 8 is great. Because 8 is round and adorable. Because 8 is fun to count to (move over, 10). Because 8 is not too big, and not so small, but just right. Because 8 is my favorite number.” So, if readers look closely at each page of animals, from A to Z, one of them appears eight times. On the A page, nine critters are listed at the bottom; among them is the ant, eight of which roam among single examples of aardvark, abalone, albatross, alligator, alpaca, anteater, antelope, and armadillo. Cooper’s loose watercolor images are arranged harmoniously against spacious white backgrounds. The number of animals depicted varies, with the lowest being one (X for xerus). There are surprises, as in the letter I, which presents ibex, ibis, iguana, impala, and inchworm. Readers might expect the animal to count eight times would be the inchworm, but actually, here it’s the iguana. A four-page legend in the back identifies each creature with a one-sentence, interesting fact: “Quolls use communal toilet areas.” Who knew? The heavy paper will withstand repeated viewings, which are guaranteed.
Don’t get behind the eight ball: order now; it’s great fun. (Picture book. 4-10)Pub Date: July 28, 2015
ISBN: 978-0-545-47083-4
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: March 25, 2015
Kirkus Reviews Issue: April 15, 2015
Categories: CHILDREN'S ANIMALS | CHILDREN'S CONCEPTS
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Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Categories: CHILDREN'S ANIMALS | CHILDREN'S HOLIDAYS & CELEBRATIONS
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The author recounts a formative childhood experience that continues to inspire her today.
Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.
A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)Pub Date: Oct. 5, 2021
ISBN: 978-1-5415-8130-2
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: June 29, 2021
Kirkus Reviews Issue: July 15, 2021
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).
Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.
Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)Pub Date: Oct. 15, 2019
ISBN: 978-0-525-51574-6
Page Count: 52
Publisher: Penguin Workshop
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Categories: CHILDREN'S CONCEPTS | CHILDREN'S HOLIDAYS & CELEBRATIONS
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