A loving celebration of those special refuges of childhood that are forever the measure of happiness for those fortunate enough to have known them. The intensity of the joy that novelist Arthur (Binding Spell, 1988, etc.) found in the five perfect seasons that she spent in the early 60's at Camp Wynakee in Vermont's Green Mountains was as much a reflection of the experience itself as a contrast to the rest of her life—about which she's rather reticent. Like a starving prisoner, she spent the months between camp-visits living on carefully apportioned memories of the summer before: ``I wanted to savor the summer in small mouthfuls so that it would last the whole year, and the month of September might see me eating just the first week, just the first day even. I was amazed at how much of the camp I could take with me if I slowed down in this manner.'' Arthur describes a summer at camp: the proper outfit she brought, so that the whole camp became her ``single outer garment''; the camp owners, who tried to help their charges ``discover the qualities we could be proud of''; the daily routine; special events like hikes to Bat Cave, the Fourth of July parade, and, best of all, Klondike Day. On this day, every camper took part in a search for the Klondike Stone, a large, hidden rock painted gold: The search was as much a holy quest as an exciting break in routine, a quest that epitomized all Arthur felt for the place and all that she'd learned there. Even if ``as the years have passed, and I have again brought my bag home empty, it seems I'm always getting nearer. In a way the more time I spend looking, the better I will like it.'' Like the author's camp memories, better savored than wolfed down: a splendid evocation of wisdom acquired in a demi-Eden by a writer of great grace and sensitivity.
Pub Date: June 9, 1993
ISBN: 0-679-41894-6
Page Count: 368
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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