Unhappiness, in Berg’s world, isn’t an option.
The prolific Berg (The Art of Mending, 2004, etc.) champions middle-aged craziness in an impossibly sunny soap opera.
Betta Nolan, 55 and a former children’s book author, sells her Boston townhouse after her beloved husband John dies of cancer—and sets out for the center of the country to see what happens next. It’s not purely whim that draws Betta to the Midwest; she and John had once dreamed of moving to that part of the country. “We had always been charmed by the people we’d met from there, and it seemed the right place to start a new life: exotic, at least to us, but not as difficult as, say, Prague.” Her Boston house sells for $1.9 million, so she won’t have to take a waitress job to make ends meet, and she eagerly plunks down a ridiculously low sum for a Victorian treasure in Stewart, Ill. There’s still the matter of filling up a life, however, and between bouts of grieving, Betta does just that by looking up three old friends from college, befriending a handsome college student with a bitchy, unworthy girlfriend, and opening the store John once suggested she call “What a Woman Wants.” Meanwhile, Betta tries to decipher the scrawled notes her psychiatrist husband left behind. The answer to their mystery, like all the other not-so-very complicated roadblocks in the way of Betta’s starting over, is expressed in a platitude (“There is love in holding. And there is love in letting go”) that only soapy characters could fathom or follow. “We’re all just here, blinking in the light like kittens,” Betta’s friend Maddy confides. “The older I get, the more I see that nothing makes sense but to try to learn true compassion.” What a woman wants, Betta discovers, is to have perfect things in a perfect place, shared with perfect—or at least perfectly interesting—friends. “You don’t dishonor the one you loved by being happy,” Betta learns.
Unhappiness, in Berg’s world, isn’t an option.Pub Date: April 12, 2005
ISBN: 1-4000-6160-1
Page Count: 240
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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