A new-fashioned, old-fashioned story of love, deception, and buried secrets.
The lives of two British families collide during WWII as essential truths about them are obscured by deceptions—past and ongoing—in this historical fiction (with some surprises up its sleeve).
Adolescent friends Nina Woodrow and Rose Allen spend languid prewar summers together whenever Rose visits family in the quiet English village where Nina lives with her widowed father, Henry. A chance meeting with visiting Canadian Joey Roussin leads the girls and Henry to dine with him and his friends Guy and Kate Nicholson, a married couple who’ve just moved to the village. This meeting marks the beginning of Nina’s growing awareness of (and attraction to) to men, Guy in particular. Years later, after the outbreak of war, in a somewhat orchestrated (by Nina) “coincidence,” Nina and Guy meet at the RAF air base where both are stationed. The spiraling effects of Nina and Guy’s developing relationship during the war—played out against the devastation and loss visited upon civilians and military alike—have consequences not only for the couple but also for their families and friends. Kate and son Pip are left to their own devices as Guy pursues his military and romantic goals away from home, and, intriguingly, the stolid-appearing Henry appears to represent a measure of comfort and stability to her. Using plot elements that hark back to an earlier era of storytelling and echoes of the thwarted lovers in the classic British wartime movie Brief Encounter, Brooks concocts an increasingly complex web of misunderstanding and misdirection. Kate narrates her own account of the events, while the more enigmatic Nina’s perspective is related in the third person, but it is the latter’s story that launches the narrative from a suspenseful and equivocal prologue.
A new-fashioned, old-fashioned story of love, deception, and buried secrets.Pub Date: March 5, 2024
ISBN: 9781959030355
Page Count: 372
Publisher: Tin House
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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