Although it's entering a crowded field of biographies, fictional or not, of various Founding Fathers, Cobbs' meticulous...
Cobbs' novel chronicles the difficult political and family life of Alexander Hamilton.
Well before the publication date of this novel, the Broadway musical based on Hamilton’s life will in all likelihood have won many Tony awards. Can another fictional re-examination of this controversial statesman succeed in saying anything new about Hamilton—and do it without rap songs? Hamilton’s story certainly invites dramatization. Born the illegitimate son of a runaway wife on the Caribbean island of Nevis and raised in St. Croix, Hamilton is disinherited in early adolescence when his mother dies of a malarial fever. His intelligence and grit net him a clerk position with an importer and then sponsorship to leave the islands for New York to further his education. Swept up in revolutionary fervor, he becomes George Washington’s aide-de-camp, eventually winning his own command but always bucking the disadvantages of his humble beginnings. He meets his future wife, Eliza, whose father, Philip Schuyler, is a New York landholder who throws in his lot with the Continentals. Chapters narrated by Eliza alternate with chapters narrated by Alexander, and the first half of the novel lacks momentum as the characters negotiate the ponderous logistics of courtship, marriage, intrigue, jockeying for position on the battlefield and in Washington’s Cabinet, etc. It isn’t until the end of the Revolutionary War that the plot thickens. Alexander, appointed the United States' first Treasury Secretary, puts out countless fiscal fires threatening the fledgling republic’s economy. He not only refuses to own slaves, but publicly advocates for abolition. He is subjected to much unfair opprobrium, largely, it appears, because he doesn't belong to the post-revolutionary boys’ club. James Monroe, James Madison, and Thomas Jefferson come off as particularly ignoble, and Aaron Burr seems downright sociopathic. Cobbs displays how Hamilton’s outsider status leaves him very little wiggle room: an extramarital affair which might have been hushed up in the right circles leads directly to his downfall.
Although it's entering a crowded field of biographies, fictional or not, of various Founding Fathers, Cobbs' meticulous account holds its own—even without catchy tunes.Pub Date: Aug. 2, 2016
ISBN: 978-1-62872-720-3
Page Count: 408
Publisher: Arcade
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
It’s more than coincidence that the novel features two sets of relatives whose blood ties are once removed, for the family...
Within the current political climate, the reader might expect a new novel about the war in Vietnam to provide a metaphor for Iraq. Yet Denis Johnson has bigger whales to land in his longest and most ambitious work to date. Tree of Smoke is less concerned with any individual war than with the nature of war, and with the essence of war novels. There are echoes here of Joseph Conrad’s Heart of Darkness (particularly as transformed by Francis Ford Coppola into Apocalypse Now) and Joseph Heller’s Catch-22, yet Johnson’s achievement suggests that each generation gets the war—and the war novel—it deserves.
At the center of Johnson’s epic sprawl is Colonel Francis Sands, the novel’s Captain Ahab, a character of profound, obsessive complexity and contradiction. Is he visionary or madman, patriot or traitor? Dead or alive? Or, somehow, all of the above? Because the reader perceives the Colonel (as he is reverently known) through the eyes of other characters, he shimmers like a kaleidoscope of shifting impressions. His military involvement in Asia preceded Japan’s attack on Pearl Harbor, and he has continued to operate as a CIA agent within the shadows of Vietnam, while perhaps answering to no authority higher than his own.
From World War II through the war in Vietnam, much has changed—allegiances and alliances, public sentiment, the modes of modern warfare. Yet the Colonel hasn’t—he won’t or he can’t. Though he is plainly the novel’s pivotal figure, Johnson spends more time inside the psyche of the Colonel’s nephew, William “Skip” Sands, whose father died in action and whose enlistment extends a family tradition. He’s as naïve as the Colonel is worldly, as filled with self-doubt as his uncle is free of it, but he ultimately joins his relative in psychological operations against the enemy—whomever that may be. Eventually, he must decide whether it is possible to serve both his legendary relative and his country.
A less engaging subplot concerns half-brothers Bill and James Houston, who enter the war as teenagers to escape their dead-end lives in Arizona. Where the Sands family operates on the periphery of the war, the Houstons are deep in the muck of it. Though they are what once might have been called cannon fodder, the war gives their lives definition and a sense of mission, of destiny, that is missing back home—which will never again feel like home after Vietnam.
Pub Date: Sept. 1, 2007
ISBN: 978-0-374-27912-7
Page Count: 624
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A gentle exploration of tragedy, hope, the power of Christmas, and the possibility of miracles.
Preparing for Christmas in Cambridge, Massachusetts, church members face challenges aided by faith and friends and inspired by the eponymous poem by Henry Wadsworth Longfellow—who, in an alternate storyline, fights despair as he confronts personal tragedy and the Civil War.
Christmas is fast approaching, and St. Margaret’s Catholic Church is a hub of activity. The children’s choir, under Sophia’s talented guidance, is practicing its program, which includes “I Heard the Bells on Christmas Day,” the lovely carol based on the poem by Cambridge’s own Longfellow. Sophia is determined to remain optimistic this season, despite her recently broken engagement and the threat of losing her job next spring. After all, these children lift her spirits, and she can always depend on Lucas, the saintly accompanist, to be there for her. Particularly talented are the red-haired siblings, serious Charlotte and precocious Alex, whose father is serving with the National Guard in Afghanistan and whose mother is overwhelmed by the crushing news that her beloved husband is missing, a fact she's trying to keep secret. Father Ryan loves his calling and his congregants and is doing his best to aid them in their trials even as he navigates his own fractured family. The odd but cheerful, elderly Sister Winifred offers help and reassurance with eerily perfect timing and perception. Meanwhile, in a separate historical storyline that is lightly attached to the contemporary one, we follow Longfellow through the Civil War and the life-altering events that tested his faith and nearly crushed his spirit. Chiaverini stitches together a series of lightly interlocking contemporary vignettes in an intriguing way and manages to tuck away all the ragged edges in the emotionally satisfying conclusion. In the background are Longfellow’s tragic Civil War–era experiences, which, while poignant, feel emotionally distant.
A gentle exploration of tragedy, hope, the power of Christmas, and the possibility of miracles.Pub Date: Oct. 27, 2015
ISBN: 978-0-525-95524-5
Page Count: 336
Publisher: Dutton
Review Posted Online: July 29, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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