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THE WOMEN'S MARCH

Informative and insightful.

Suffragettes work to advance their cause by planning a march in Washington, D.C.

Leading up to the 1912 election, Maud Malone, a librarian advocating for women’s right to vote, becomes known as a heckler after being arrested for interrupting political rallies to ask presidential candidates their opinions on the issue. After the election, she joins a group of women marching from New York City to Washington, D.C., to ask the newly elected Woodrow Wilson to mention women’s suffrage in his inaugural address. They plan to join the national march for suffrage being planned by Alice Paul, a Quaker from Pennsylvania who spent several years working with the British suffragettes. Yet Alice’s work in planning a successful march on behalf of the National American Woman Suffrage Association threatens to be derailed by red tape and in-fighting among state chapters. Following her career as a journalist, during which she focused on the horrors of lynching, Ida B. Wells-Barnett now leads numerous social groups in Chicago working to ensure the suffrage movement includes women of color and calls attention to the Jim Crow laws preventing Black men from voting in Southern states. She is invited to march with the Illinois delegation, but racism within the movement is prevalent. Chiaverini’s latest work of historical fiction weaves together the actions of these three real women, effective character choices for highlighting the disparate groups advocating for social and legal change while also speaking to the tensions regarding race, class, and rhetorical arguments that prevent these groups from working together smoothly (if at all). The strengths of this work are also its weaknesses: The novel is so heavily researched that it sometimes feels weighed down by biographies and historical details, leaving dialogue sparse and making narrative momentum difficult. Yet the window it provides into the painstaking efforts to secure voting rights for all citizens is undeniably valuable and timely.

Informative and insightful.

Pub Date: July 27, 2021

ISBN: 978-0-06-297600-0

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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