by Elizabeth Cohen ‧ RELEASE DATE: April 8, 2003
The adventure and peril of everyday living captured in language that's light, beautiful, and razor-sharp.
Lyrical, gripping tale of the year Cohen's life went to hell.
One minute she was living an idyll, lazing through her days as a rural-upstate New York reporter and nights in a secluded farmhouse with a loving husband and infant daughter; the next, her Alzheimer's-afflicted father had moved in, her husband had moved across the country to shack up with an 18-year-old, and winter buried the house in snow. Cohen and her youthful husband had been a Manhattan couple with an active social life. After the move to Beartown Road and Dad's appearance, her city sophistication was entirely irrelevant in the endless battle to keep her father and daughter fed, dry, and safe, to get through the winter without freezing to death (apparently a surprisingly easy thing to do in a civilized North American town), neglecting her family, or losing her job. Cohen takes what could be a self-indulgent sob story and turns it into the stuff of high adventure. When she lies to her father about the eldercare group he attends, telling him he is the group's teacher, the reader prays the fiction will hold so that she can go to work secure in the knowledge that he won’t accidentally burn the house down while smoking unattended. When neighbors plow her driveway after big snowfalls, we’re swept with gratitude for the author’s sake. Cohen frames the whole of her messy, absorbing year in the framework of how we learn and forget. As her daughter gains words, her father loses them. As her daughter acquires motor skills, her father stumbles. As she describes the waxing of her daughter's personality and the waning of her father's, the fact he cannot remember her name or learn her daughter's, Cohen manages never to resort to sentimentality.
The adventure and peril of everyday living captured in language that's light, beautiful, and razor-sharp.Pub Date: April 8, 2003
ISBN: 0-375-50727-2
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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