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WHY I CAN'T READ WALLACE STEGNER

AND OTHER ESSAYS

Book reviews dressed up as essays; slipshod polemic dressed up as scholarly discourse. It is not so much that Sioux novelist, poet, and academic Cook-Lynn (From the River's Edge, 1991, etc.) cannot read the work of the late Western historian and novelist Wallace Stegner; it is that she will not (``my reading in the work of Wallace Stegner is minimally undertaken''). She builds this thin collection around a misapprehension of Stegner's thought, namely, that he maintains that American Indian history (and, by implication, American Indian life) ends in 1890, with the closing of the frontier. As a result, Cook-Lynn goes on to assert that Indian history should be written by Indians alone. In some cases she makes good points, as when she dissects Ruth Beebe Hill's allegedly factual account of the Sioux in the spun-from-whole-cloth novel Hanta Yo, but she is hard-pressed to know who the enemy is when Native American writers like N. Scott Momaday opine that Hanta Yo is, after all, a pretty good read. Objecting to Stegner's view of himself as a native Westerner, Cook-Lynn makes the tired argument that only American Indians can claim to be native to the continent. Along the way she dismisses writers like John Updike, ``a white, male member of a prosperous and efficient Euro-American (i.e., white) capitalist democracy,'' and criticizes Michael Dorris, a mixed-blood, for having written negatively of the alcoholic Sioux mother of his adopted, brain-damaged son. Her book abounds with errors—among other things, she attributes the novel Dances with Wolves to Norman Maclean (it was written by Michael Blake). A shoddy piece of work full of self-satisfied platitudes that bespeak an absolutist worldview not open to debate.

Pub Date: Dec. 1, 1996

ISBN: 0-299-15140-9

Page Count: 158

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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SO YOU WANT TO TALK ABOUT RACE

A clear and candid contribution to an essential conversation.

Straight talk to blacks and whites about the realities of racism.

In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”

A clear and candid contribution to an essential conversation.

Pub Date: Jan. 16, 2018

ISBN: 978-1-58005-677-9

Page Count: 256

Publisher: Seal Press

Review Posted Online: Oct. 8, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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