Stage-worthy despite its missteps.

TAKE A BOW

Four students at a high school for the performing arts find that sometimes life’s most important auditions happen off-stage.

Told from the point of view of each of the four main characters, this narrative chronicles the unique situations affecting artists as well as the very familiar drama of high school. Emme, a talented songwriter, longs to be more than the behind-the-scenes talent. Carter, a former child star, is frustrated as the past he wants to put behind him keeps rearing its head. Sophie, a powerhouse singer, wants it all, even if it means alienating the very people she needs the most. Finally, Ethan cannot figure out how he can be so smart about music and so dumb about love. The story, based on the familiar premise of artsy teens, shows surprising depth as it tackles issues including emotional vulnerability, authenticity and betrayal. Realistic dialogue and a healthy dose of teen angst keep the pages turning. Unfortunately, Emme’s and Ethan’s stories quickly outpace Carter’s and Sophie’s, causing the story to lag even as it progresses. The ending, while predictable, is never cloying, managing to be both genuinely sweet and emotionally satisfying.

Stage-worthy despite its missteps. (Fiction. 12-18)

Pub Date: April 1, 2012

ISBN: 978-0-545-33474-7

Page Count: 288

Publisher: Point/Scholastic

Review Posted Online: Jan. 18, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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A slo-mo environmental disaster story.

THE NATURE OF WITCHES

Weather witches confront climate change in this fantasy.

Clara Densmore is her generation’s sole Everwitch and is unwilling to embrace her powers. Unlike the male and female autumn, winter, spring, and summer witches, whose powers peak during their respective seasons, Clara thrives year-round. At the Eastern School of Solar Magic in Pennsylvania, 17-year-old Clara shuns friendships and only does short-term flings, as her love can be lethal and has already killed her parents and best friend. Losing her powers seems like the selfless solution, but nonmagical shaders have pushed the planet too far with their environmental destruction. Seasonal witches are starting to die amid accelerated natural disasters—and only Clara can save the world. A budding romance with magical mentor/visiting botany student 18-year-old Sang Park from California helps Clara bloom. Redheaded, blue-eyed Clara is cued as White, and Sang is Korean American—but race, class, and other identity-related concerns are rarely a factor in this world. Debut author Griffin unfortunately fails to breathe new life into chosen one fantasy tropes—the obligatory villain, the unavoidable romance, the overly dramatic sacrifice—but excels at lush and lovely descriptions of nature and the weather and delivers a stern, if heavy-handed, message about environmental consequences of modern living.

A slo-mo environmental disaster story. (Fantasy. 14-18)

Pub Date: June 1, 2021

ISBN: 978-1-72822-942-3

Page Count: 352

Publisher: Sourcebooks Fire

Review Posted Online: April 8, 2021

Kirkus Reviews Issue: May 1, 2021

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