This amusing but never especially compelling dog tale is most likely to appeal to animal lovers. (Fiction. 8-11)

MY DOG MADE ME WRITE THIS BOOK

From the My Dog Ugly series

Nine-year-old Eric was thrilled to get a puppy from the animal shelter. But Ugly has now grown into an out-of-control dog.

The primary reason for that is Eric, of course. It’s been far too easy for him to leave Ugly’s care to his busy mom, so the young dog has never received any training, and now Eric’s parents and his rather unpleasant, much older sister have lost patience with both boy and dog. Worse is that Ugly prefers the person who feeds him, leaving Eric feeling rejected and unmotivated. If Ugly isn’t to be sent away, Eric has to step up and take over, a lesson he’s quite reluctant to embrace in spite of gentle—if rather pedantic—guidance from his grandfather. Eric’s first-person narrative is represented as a book he’s writing, apparently as self-motivated bibliotherapy. With amusing advice from his friends and help from Maggie, an experienced dog trainer, Eric eventually learns his lessons—and so does Ugly. Ugly’s misadventures are believable, as is Eric’s avoidance of responsibility. Maggie provides interesting dog-training hints, and the happy ending may inspire readers to pick up Ugly’s next misadventure, My Dog Gets a Job, which publishes simultaneously. Eric, his family, and Maggie present white in Lancett’s engaging illustrations; he has at least one friend of color.

This amusing but never especially compelling dog tale is most likely to appeal to animal lovers. (Fiction. 8-11)

Pub Date: July 1, 2019

ISBN: 978-1-4926-8086-4

Page Count: 160

Publisher: Sourcebooks Jabberwocky

Review Posted Online: March 27, 2019

Kirkus Reviews Issue: April 15, 2019

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If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one.

THE WILD ROBOT ESCAPES

Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.

Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.

If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)

Pub Date: March 13, 2018

ISBN: 978-0-316-38204-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

ESCAPE FROM BAXTERS' BARN

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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