Seasons come and seasons go, but cozy concepts like barns on farms will never ever die.
A friendly barn on a family farm weathers weather, time, and change.
Pencil and crayons lovingly illustrate the story of Bess, a family barn raised “Beam by beam and board by board” by a farming family. Bess exudes comfort and stability to all the animals that take shelter beneath her roof, and she loves observing the cycle of life and its celebrations. But when the old farmer dies, a new owner raises a different barn made of corrugated steel and filled with “new-fangled machines.” Forgotten, Bess weathers quietly until the timely appearance of a savage storm gives her the chance to be a hero. There’s a marvelous mix of peppy text and bone-deep comfort at work within the language of this story. Paying homage to such classics as Virginia Lee Burton’s The Little House (1942) as well as more recent titles like School’s First Day of School by Adam Rex and illustrated by Christian Robinson (2016), Bess’ physical anthropomorphization is limited to little details, as when boards fall askew to resemble eyebrows. Visual treasures abound in the corners of the art, and children may enjoy figuring out which characters from the beginning of the book (most white, some people of color) change and grow by the story’s end.
Seasons come and seasons go, but cozy concepts like barns on farms will never ever die. (Picture book. 3-6)Pub Date: Sept. 8, 2020
ISBN: 978-1-62414-980-1
Page Count: 32
Publisher: Page Street
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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