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MAMA STRANGELOVE

A SATIRICAL GUIDE TO MODERN PARENTING THROUGH INTERNATIONAL RELATIONS THEORIES

A wry, wise look at the real-world side of parenting.

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A guide offers a sardonic and humorous look at parenting.

“The world does not need another parenting book,” writes Grimm in her own parenting book, where she likewise notes that parenting can be so exhausting and baffling that it can use all the advice manuals it can get. “Every day of parenting is Saigon in 1975,” she writes. “It is often defeating, sometimes humiliating, and you are left to ponder at the end of the night whether you made the right decisions.” In these pages, she relates some of the lessons she’s learned in her years of raising her three children—Hugo, André, and “explosive” Lulu (“a Mussolini in a tow-headed body”)—comically stressing the severity of the struggle by invoking military manuals like The Art of War. “As a parent,” she writes, “you already know what it feels like to negotiate with terrorists.” Here, she lays out some advice for other parents who may be feeling overwhelmed, giving them tips on how to get back their power by reestablishing authority, setting consistent boundaries, creating clear lines of communication, and building a proper balance between parental militarization and the wilder tendencies of children. She even proposes the SAFE model for hostile negotiations: Substantive Demands, Attunement (“building trust between the subject and the negotiator”), Face (“the projected self-image of the subject”), and Emotional Distress. Grimm uses this juxtaposition—between the warm family emotions of most child-rearing guides and the tough language of military manuals—to excellent comic effect, mentioning at one point that “no class pets need to get hurt in the process” while dispensing genuine advice on serious subjects. Her willingness to be frank about the defeats she’s suffered at the hands of her little terrorists is bracing. Parents who are perhaps ashamed of feeling as if they’re trapped in a war of nerves with enemy forces will likely appreciate hearing from a fellow combatant, particularly one with a smile on her face.

A wry, wise look at the real-world side of parenting.

Pub Date: July 7, 2026

ISBN: N/A

Page Count: -

Publisher: Wyatt-MacKenzie Publishing

Review Posted Online: March 13, 2026

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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