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THE BOOK OF LAMPS AND BANNERS

Part The Club Dumas, part The Girl With the Dragon Tattoo, all punk attitude and beautiful ache.

In a dystopian world of heavy fog, Nazi demonstrations, and a creeping virus, photographer Cass Neary searches for an ancient book that might have supernatural power.

Cass is a wreck. She’s lost her camera; she hasn’t heard from the love of her life, ex-con Quinn O’Boyle, in several days; and she’s jonesing for alcohol, speed, or anything else she can get her hands on. When she runs into rare-book runner Gryffin Haselton in London, he confesses that he’s about to make the sale of a lifetime to up-and-coming tech genius Tindra Bergstrand: a mysterious, arcane book that may have been written by Aristotle. Of course, things go horribly wrong: The middleman is murdered, and Cass and Gryffin escape only to be picked up by Tindra’s people. It turns out that Tindra wants the Aristotle text to scan into an app she’s developing that's supposed to heal the brains of people suffering from PTSD—but when Cass gets a glimpse of the Ludus Mentis app, she flashes back viscerally to the greatest trauma of her life. Reunited with Quinn, Cass is soon on the run, dodging neo-Nazis as they rally in London and following clues to a remote Scandinavian island, hoping that if she recovers the book it could pay her and Quinn’s way to a new start. Cass is walking wounded; still she views the world through the eyes of a true artist, an artist who feels the full weight of her calling. “Because what is a photographer,” she asks, “but a chooser of the slain, someone who decides who or what is destined for immortality?” Cass Neary is a tough, self-destructive character who still exudes compassion, courage, and love for the beauty and the pain of life—even more so because she recognizes its impermanence.

Part The Club Dumas, part The Girl With the Dragon Tattoo, all punk attitude and beautiful ache.

Pub Date: Sept. 29, 2020

ISBN: 978-0-31648-593-7

Page Count: 352

Publisher: Mulholland Books/Little, Brown

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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GONE BEFORE GOODBYE

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

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A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.

Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

Pub Date: Oct. 14, 2025

ISBN: 9781538774700

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Oct. 15, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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THE TIN MEN

Fast-moving and disturbingly plausible.

Robots may be the future of warfare in this final father-son DeMille collaboration.

In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.

Fast-moving and disturbingly plausible.

Pub Date: Oct. 28, 2025

ISBN: 9781501101878

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: July 19, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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