Part The Club Dumas, part The Girl With the Dragon Tattoo, all punk attitude and beautiful ache.
In a dystopian world of heavy fog, Nazi demonstrations, and a creeping virus, photographer Cass Neary searches for an ancient book that might have supernatural power.
Cass is a wreck. She’s lost her camera; she hasn’t heard from the love of her life, ex-con Quinn O’Boyle, in several days; and she’s jonesing for alcohol, speed, or anything else she can get her hands on. When she runs into rare-book runner Gryffin Haselton in London, he confesses that he’s about to make the sale of a lifetime to up-and-coming tech genius Tindra Bergstrand: a mysterious, arcane book that may have been written by Aristotle. Of course, things go horribly wrong: The middleman is murdered, and Cass and Gryffin escape only to be picked up by Tindra’s people. It turns out that Tindra wants the Aristotle text to scan into an app she’s developing that's supposed to heal the brains of people suffering from PTSD—but when Cass gets a glimpse of the Ludus Mentis app, she flashes back viscerally to the greatest trauma of her life. Reunited with Quinn, Cass is soon on the run, dodging neo-Nazis as they rally in London and following clues to a remote Scandinavian island, hoping that if she recovers the book it could pay her and Quinn’s way to a new start. Cass is walking wounded; still she views the world through the eyes of a true artist, an artist who feels the full weight of her calling. “Because what is a photographer,” she asks, “but a chooser of the slain, someone who decides who or what is destined for immortality?” Cass Neary is a tough, self-destructive character who still exudes compassion, courage, and love for the beauty and the pain of life—even more so because she recognizes its impermanence.
Part The Club Dumas, part The Girl With the Dragon Tattoo, all punk attitude and beautiful ache.Pub Date: Sept. 29, 2020
ISBN: 978-0-31648-593-7
Page Count: 352
Publisher: Mulholland Books/Little, Brown
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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