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I’M NO SAINT

A NASTY LITTLE MEMOIR OF LOVE AND LEAVING

A nasty little memoir of sex and self-indulgence, for those eager for some upscale titillation.

If this breezy account of one woman’s sexual escapades were a film, it would definitely be rated NC-17.

Hayt, a fashion writer for the New York Times, goes public about her private parts, not to mention those of her various premarital, marital and extramarital partners. She begins with her wedding, declaring that “it felt like the start of a long prison sentence,” then flashes back to her days as a promiscuous teenager. Predictably, marriage to the unadventurous Charlie foundered within a few years, and Hayt’s search for adulterous sexual fulfillment began. At 32, she got pregnant by another man and had an abortion; by the time she was 34, she and Charlie had separated. Still supported by her estranged husband, newly renovated by Botox injections, dermabrasion, plastic surgery and breast implants, she launched herself at a series of men: the art dealer who left his shoes on during sex and had cold, green reptilian eyes; the media mogul with an aversion to bathing; the billionaire politico who was a lousy kisser; the right-wing oil magnate who wore lizard-skin footwear. Guessing their identities should give readers some amusement. In addition to blind dates and chance encounters, Hayt tried finding men through personal ads in the New York Observer, at her synagogue and in the men’s department at Bergdorf Goodman; the results were frequently disastrous and, as told here, extremely funny. Her excruciatingly detailed play-by-plays of her sexual antics are not so amusing, and it comes as no surprise that her husband, on the verge of a reconciliation as the narrative nears its end, changed his mind after reading her tell-all manuscript.

A nasty little memoir of sex and self-indulgence, for those eager for some upscale titillation.

Pub Date: Oct. 18, 2005

ISBN: 0-446-53194-4

Page Count: 352

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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