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THE MOON IN THE MAN

Children and caregivers who feel they’ve plumbed the pleasures of “Rockabye Baby,” “Eeensy Weensy Spider,” and all the other old chestnuts should fall with glad cries upon this effervescent gathering of original nursery poems and hand rhymes. From a “Bubble Wrap Rap”—“Snap pop pop / Pop pop snap / Dancing on / the bubble wrap . . . ”—to “Crazy Claps,” and “Wavy Waves,” Honey proposes more than a dozen hand-clapping, finger-wriggling, foot-stomping winners. All are illustrated with bright, simply drawn cartoons, supplemented by occasional diagrams, and even a set of hilarious mini-videos on the publisher’s Web site. And, for change of pace, there are several poems just for lap-sit reading, including some grin-inducing nonsense and a very tender lullaby. Children will be delighted to join in, and for adults, this all-too-brief import deserves to become as popular a choice for storytime breaks as Marc Brown’s classic Play Rhymes collections. (Picture book/poetry. 6-8)

Pub Date: May 1, 2003

ISBN: 1-86508-455-7

Page Count: 32

Publisher: Allen & Unwin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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