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GERMAINE

THE LIFE OF GERMAINE GREER

Hardly definitive but an informative look at Greer’s cultural impact.

A biography of a controversial feminist who helped inaugurate second-wave feminism.

In 2013, social critic and scholar Germaine Greer (b. 1939) sold her massive archive of correspondence, notes, drafts, clippings, photographs, and audiovisual material to the University of Melbourne. Kleinhenz (A Brimming Cup: The Life of Kathleen Fitzpatrick, 2013), formerly a senior research fellow at the Australian Council for Educational Research, draws upon the archive, interviews, and additional sources to search for “the truth” about the woman whose first book, The Female Eunuch (1970), made her an international celebrity. Kleinhenz’s project was challenging. She discovered that Greer, who “rudely” refused support, proved to be a thorny subject: a woman who avoids introspection and intimacy; who describes herself as “disloyal, forgetful, busy” and therefore “a rather hopeless sort of friend”; and who is controlling, quick to anger—sometimes publicly humiliating former friends—“suspicious and conflicted,” and even paranoid. “Ever the contrarian,” writes the author, “she needed to be heard, and she needed to be The Boss.” Kleinhenz follows the trajectory of Greer’s life: her rebellious childhood in a lower-middle-class family; her gravitation to counterculture groups, celebrating drugs, drink, and, especially, sex; her legion of lovers; and her combative assertions about women’s sexuality, including her condemnation of transgender individuals and women she called “lifestyle feminists.” However, Kleinhenz fails to adequately probe the roots of Greer’s narcissism and vindictiveness except to observe that “anger is an excellent defence mechanism.” She notes Greer’s recurring depression and anxiety but does not go beyond Greer’s halfhearted speculations about their cause, suggesting only that geniuses—if Greer is one—“think and behave differently from the rest of us.” While the author does not whitewash Greer’s negative qualities, she praises whenever possible. Greer, she writes, “is a natural scholar,” “loves art and never tires of exploring galleries and museums.” As a writer, “she is raunchy, engaging and amusing.” She is “large in stature, huge in intellect, personality and soul”—and Kleinhenz keeps a respectful distance.

Hardly definitive but an informative look at Greer’s cultural impact.

Pub Date: April 2, 2019

ISBN: 978-1-947534-78-0

Page Count: 480

Publisher: Scribe

Review Posted Online: Jan. 5, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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