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THE MAJORITY

A novel that clocks in at almost 400 pages shouldn’t feel like a detailed outline, but this one often does.

In her second novel, Silver takes her protagonist—who resembles Ruth Bader Ginsburg—from a humble start in Brooklyn to the Supreme Court.

Justice Sylvia Olin Bernstein grew up in a working-class family, went to an elite law school at a time when few women were admitted, and built a career fighting for civil rights—especially rights for women—before ascending to the highest court in the land. In a memoir found after her death, our protagonist begins her story in 1949, when her father’s cousin comes to live with her family. Mariana survived Auschwitz, and her belief that the American system of laws—unlike Germany’s—could forestall genocide is one of the things that gets Sylvia thinking about justice. When the rabbi presiding over her mother’s funeral says that women don’t count to make a minyan, she begins to think about equality for women. When she’s at Harvard, her own pregnancy almost puts an abrupt end to her education. After this, fighting for women’s rights will become her life’s work. Although Silver has created a character of world-historical importance, she places her on a very small stage, surrounded by a very small cast. Almost everyone Sylvia interacts with will become a significant person in her life. This is a serious limitation that doesn’t work to the book’s benefit. And to be clear: Small doesn’t mean intimate. Even though this is a first-person recollection, Sylvia remains something of a cypher. Sylvia’s relationship with Mariana evolves over the course of the novel, but her husband, her best friend, and her daughter seem like useful accessories rather than real people. Most importantly, the author’s choice to eschew interactions with minor characters—her peers at Harvard, her colleagues at every stage of her career, judges at various levels of the judiciary—and elide years at a time make it seem like winning landmark victories for women and serving on the Supreme Court were not so hard at all for a Jewish woman born in the 1930s.

A novel that clocks in at almost 400 pages shouldn’t feel like a detailed outline, but this one often does.

Pub Date: July 11, 2023

ISBN: 9780593331088

Page Count: 384

Publisher: Riverhead

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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STITCHED

Simply charming.

A lovable gaggle of competitive quilters attempts to defy the odds.

The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.

Simply charming.

Pub Date: Sept. 8, 2026

ISBN: 9798890920461

Page Count: 260

Publisher: Torrey House Press

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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