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THE TIGRESS OF FORLÌ

THE LIFE OF RENAISSANCE ITALY'S MOST COURAGEOUS AND NOTORIOUS COUNTESS, CATERINA RIARIO SFORZA DE MEDICI

An engrossing biography of one of Renaissance Italy’s most accomplished powerbrokers.

Few people were better able to navigate the sea of shifting alliances and internecine squabbles that characterized 15th-century Italy than Caterina Sforza (1463–1509). All the more remarkable is that she was able to do it in an era when all of her rivals were men. Widowed by three husbands—two of them assassinated before her eyes—Sforza ruled over the province of Forlì as regent for her young son Ottaviano, and was reviled, admired and feared in equal measure by popes, foreign powers and her own subjects alike. Lev (Art History/Duquesne Univ.) deftly explores the psychological strains endured by the Countess, from her first marriage to a diffident and cowardly nephew of Pope Sixtus IV, to the murder of her beloved second husband and the merciless vengeance she took upon the conspirators, to her heroic and single-handed defense of her city from the Venetians and her ultimate imprisonment in the dungeons of Cesare Borgia. The author writes with a light touch and an eye for the pageantry and drama of the time—her subject was known as one of the best-dressed women in Italy—while colorfully recounting weighty affairs of state. In one memorable scene, Sforza gains the upper hand negotiating a military alliance with a young Machiavelli: “While Machiavelli had thought the seduction of Catarina was complete, she made it clear that the courtship was only beginning. Stung by his misreading of the situation, he showed his shock and hurt through both his words and gestures, betraying his inexperience. Only later would Machiavelli learn to conceal his true thoughts behind a mask of wit and irony.” An inspiring tale of the courage and fortitude of an enigmatic and indomitable woman.

 

Pub Date: Oct. 20, 2011

ISBN: 978-0-15-101299-2

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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