Fairy-tale retellings grow like briar hedges; there’s no reason to read this one when so many better efforts exist.

READ REVIEW

DEAD UPON A TIME

A mishmash of fairy-tale influences and images underlies this debut.

Kate Hood has only an old grandmother, and they live together in the woods. When wolves set upon her as she carries groceries home from the village and she finds their cottage empty, she flees to Jack Haricot (exiled after that thing with the giant). Nan left a series of tapestries depicting imprisoned young women—one with a shorn head, another surrounded by poisoned apples, and a third locked in a hot cell with her twin brother. Sadly, these characters are mostly neither named nor seen for more than a few minutes in Kate’s visions. Kate and Jack, meanwhile, are summoned to the king and told to rescue the princess, who has been (nonsensically) kidnapped; they set off, fall in love, and save the day. As in the fairy tales that give this some structure, the world is thinly sketched at best, characters are representations, and action occurs because the plot dictates it. The writing is clumsy, overt and unsubtle, with some full-on malapropisms (“clairvoyant lungs”), and the tone is anachronistic (rented rooms and tin cans side by side with a pastoral, industry-free society) and dated at the same time (Kate refers to schooling Jack in “the cautious listening of women”).

Fairy-tale retellings grow like briar hedges; there’s no reason to read this one when so many better efforts exist. (Fantasy. 12-14)

Pub Date: Aug. 25, 2015

ISBN: 978-0-545-64046-6

Page Count: 224

Publisher: Scholastic

Review Posted Online: May 12, 2015

Kirkus Reviews Issue: June 1, 2015

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Not much forward momentum but a tasty array of chills, thrills, and chortles.

A MAP OF DAYS

From the Peculiar Children series , Vol. 4

The victory of Jacob and his fellow peculiars over the previous episode’s wights and hollowgasts turns out to be only one move in a larger game as Riggs (Tales of the Peculiar, 2016, etc.) shifts the scene to America.

Reading largely as a setup for a new (if not exactly original) story arc, the tale commences just after Jacob’s timely rescue from his decidedly hostile parents. Following aimless visits back to newly liberated Devil’s Acre and perfunctory normalling lessons for his magically talented friends, Jacob eventually sets out on a road trip to find and recruit Noor, a powerful but imperiled young peculiar of Asian Indian ancestry. Along the way he encounters a semilawless patchwork of peculiar gangs, syndicates, and isolated small communities—many at loggerheads, some in the midst of negotiating a tentative alliance with the Ymbryne Council, but all threatened by the shadowy Organization. The by-now-tangled skein of rivalries, romantic troubles, and family issues continues to ravel amid bursts of savage violence and low comedy (“I had never seen an invisible person throw up before,” Jacob writes, “and it was something I won’t soon forget”). A fresh set of found snapshots serves, as before, to add an eldritch atmosphere to each set of incidents. The cast defaults to white but includes several people of color with active roles.

Not much forward momentum but a tasty array of chills, thrills, and chortles. (Horror/Fantasy. 12-14)

Pub Date: Oct. 2, 2018

ISBN: 978-0-7352-3214-3

Page Count: 496

Publisher: Dutton

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes

LEGEND

From the Legend series , Vol. 1

A gripping thriller in dystopic future Los Angeles.

Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.

This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)

Pub Date: Nov. 29, 2011

ISBN: 978-0-399-25675-2

Page Count: 336

Publisher: Putnam

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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