Revelatory and inspiring young voices.



Young émigrés reflect candidly on family, faith, education, and their difficult journeys to becoming Americans.

United ReSisters, a group of young Somali American women living in Green Bay, Wisconsin, has become an active and important part of the social and cultural life of the predominantly white community. In a moving collection of reflections, poems, conversations, and letters, 12 forthright members of the group share their experiences escaping from Somalia’s civil war, living in refugee camps in Ethiopia and Kenya, struggling as newcomers to the United States (including first encountering cold and snow), and working to achieve their dreams for the future. Prominent among the group are the Kasim sisters—Nada, Nadifo, Nimo, Nasteho, and Najma—who arrived in the U.S. in 2014 after seven years in a refugee camp where, Najma recalled, “the food wasn’t enough for one meal a day,” and water was scarce. Still, they felt a sense of community that sustained them as they waited to emigrate. All the contributors speak to their desire for acceptance while still honoring their customs and religion; all wish Americans could be more open about understanding them rather than imposing assumptions about Africans or Muslims. Sometimes, they felt like “leftovers.” “I wanted so badly to be accepted into this new society,” confesses Hafsa Husseyn, although acceptance was sometimes a challenge. Her sister Maryam echoes other contributors by showing uncommon patience in confronting prejudice: “I am human, and you are, too,” she writes in an open letter titled “Hello Stranger.” Some Americans could not understand—or accept—their custom of wearing the head covering called hijab: “Some think I’m forced to wear hijab,” Nada Kasim writes, or believe that it reflects religious fundamentalism, neither of which is true. Other Americans do not understand fasting for Ramadan. “Fasting,” explains Nasteho Kasim, “is a way to learn patience, break bad habits, and even ease anger.” Afterwords by ReSisters’ co-facilitators underscore the young women’s commitment and courage.

Revelatory and inspiring young voices.

Pub Date: July 2, 2019

ISBN: 978-1-7338890-0-1

Page Count: 148

Publisher: Two Shrews

Review Posted Online: April 23, 2019

Kirkus Reviews Issue: May 15, 2019

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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