A pitch-perfect ode to the details and delights of playing soccer.
Twenty-two poems celebrate, from a young person’s perspective, the beautiful game that is soccer.
Two poems offer the viewpoints of a pair of shin guards—one of them left on the field by accident after the last game. A wry observation about “Fans” is spot-on: “I like it when my parents come. / I like that they are near. / But when they yell instructions, / I pretend that I can’t hear.” A poem for two voices in which one player speaks Spanish and one English happily concludes: “Si! Juguemos! / Yes! Let’s play!” (The Spanish voice uses English punctuation conventions.) A player contemplates the difficulty of offering a handshake to an overly aggressive opposing player at game’s end. Another, carded for an infraction, is relieved to have his apology accepted. Ikê’s digitally created art is stylized and full of motion. His lighthearted illustrations incorporate some poetic fantasy elements and flourishes, such as an inventor creating a perfect teammate: mostly feet for a field player; hands for a goal keeper. Most of the players display a range of skin colors and hair colors and textures; a preponderance have short hair. Each poem uses one or more of 13 poetic forms described briefly in an author’s note—something that will surely charm teachers and aspiring poets.
A pitch-perfect ode to the details and delights of playing soccer. (Picture book/poetry. 6-10)Pub Date: June 4, 2019
ISBN: 978-1-62979-249-1
Page Count: 32
Publisher: Wordsong/Boyds Mills
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
Natural history from decidedly offbeat angles.
Wielding crayons and broad, inked brushes, a Finnish artist offers freestyle images of 26 wild animals of land and sea.
The free-verse poetic flights (or Jeremiah’s translations) that Järvinen pairs to each of Merz’s animal portraits are technically accurate but sound fanciful: “Here comes the multi-purpose marvel of the jungle, / Elephant and TRUNK!” And: “The bear combs through the ant hill with its big paws / and pops its occupants into his mouth.” Sharing a like disregard for the conventional approach, the art, inspired (as the artist explains) by dim childhood memories rather than actual models, is largely composed of semi-abstract jumbles of geometric shapes and shadowy blobs, disconnected or oddly jointed limbs rendered with a few quick strokes, and scribbles or washes of thin primary hues. The creatures are largely unrecognizable without the printed cues adjacent, but the overall effect is one of lively activity, with occasional surprises, such as a clump of sinuous, scary-looking jellyfish on a vivid blue background—think H.P. Lovecraft à la Henri Matisse—and a trio of polar bears, two of which are pitch black (as polar bears are, beneath their fur), to give viewers pause. Leading questions or suggestions at each poem’s end (“Have you tried walking like a camel?”) will provoke further reactions from fledgling animal lovers. (This book was reviewed digitally with 9.8-by-24-inch double-page spreads viewed at 52% of actual size.)
Natural history from decidedly offbeat angles. (Picture book/poetry. 6-8)Pub Date: Sept. 29, 2020
ISBN: 978-1-63206-268-0
Page Count: 64
Publisher: Yonder
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
Delightful.
A gifted poet demonstrates the remarkable versatility of words through one kind of found poetry.
The idea here is that “nested” poems are hidden inside larger poems like nesting dolls. Latham begins with a 37-line poem, describing a robin’s nest from its construction in spring through the other three seasons. She finds, nested within the 276 words of this initial poem, 161 new poems built from words in the original. These short poems cover simple themes, such as colors, days, seasons, and animals, as well as more complex ones: emotions and relationships: “What Hope Is:” “a cup / of stars.” Only the titles of the nested poems employ words not found in the initial poem—and the titles are charming, often longer than the poems themselves: “What To Do When You Know Something Is Wrong”: “mouse / squeaks.” The invitations to think metaphorically and to discover poetry that might be right at hand are friendly and clear: “The Power of Imagination:” “turtle tucked in moonlight / makes cathedral / inside” The repetition of words becomes an echo of a familiar melody running throughout the collection as they become the molecules of new poems and become fresh again. Latham’s note explaining the process for this collection mentions a few other kinds of found poetry. Wright’s art in full-page section-introducing illustrations, along with spot illustration and margin art, gives a warm and lighthearted dimension to the pages.
Delightful. (introduction, index) (Poetry. 7-10)Pub Date: Sept. 22, 2020
ISBN: 978-1-68437-363-5
Page Count: 112
Publisher: Wordsong/Boyds Mills
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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