A gifted poet demonstrates the remarkable versatility of words through one kind of found poetry.

The idea here is that “nested” poems are hidden inside larger poems like nesting dolls. Latham begins with a 37-line poem, describing a robin’s nest from its construction in spring through the other three seasons. She finds, nested within the 276 words of this initial poem, 161 new poems built from words in the original. These short poems cover simple themes, such as colors, days, seasons, and animals, as well as more complex ones: emotions and relationships: “What Hope Is:” “a cup / of stars.” Only the titles of the nested poems employ words not found in the initial poem—and the titles are charming, often longer than the poems themselves: “What To Do When You Know Something Is Wrong”: “mouse / squeaks.” The invitations to think metaphorically and to discover poetry that might be right at hand are friendly and clear: “The Power of Imagination:” “turtle tucked in moonlight / makes cathedral / inside” The repetition of words becomes an echo of a familiar melody running throughout the collection as they become the molecules of new poems and become fresh again. Latham’s note explaining the process for this collection mentions a few other kinds of found poetry. Wright’s art in full-page section-introducing illustrations, along with spot illustration and margin art, gives a warm and lighthearted dimension to the pages.

Delightful. (introduction, index) (Poetry. 7-10)

Pub Date: Sept. 22, 2020

ISBN: 978-1-68437-363-5

Page Count: 112

Publisher: Wordsong/Boyds Mills

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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Here’s hoping this will inspire many children to joyfully engage in writing.


Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.

Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.

Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)

Pub Date: March 17, 2020

ISBN: 978-1-68437-362-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: March 1, 2020

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Some issues with design and tone but a mostly worthy appreciation of the women who stood and stand (if, sometimes, only...



“We know Eleanor Roosevelt, Abigail Adams, / but what about those other madams”?

For each first lady from Martha Washington (“Raised to be a planter’s wife, / taught how one behaves / as mistress of the household / and the household slaves”) to immigrant Melania Trump, Singer offers a thumbnail character study in verse that’s paired to an ink-and-wash figure by Carpenter. If there is any common theme, it’s mortality: Martha Jefferson, who died 19 years before her husband’s election, is represented by a framed silhouette over a silent pianoforte; Peggy Taylor lies prostrate before a tombstone; a veiled Jackie Kennedy looks out from an antique TV screen. Singer likewise often includes mention of lost husbands or children among references to favored causes and personal accomplishments. On the other hand, Mary Todd Lincoln, generously summed up as “an unlucky woman—kindly and cursed,” poses regally as her brown-skinned dressmaker (unnamed in the poem but identified in the endnotes) cuts up an American flag to make a gown while Abe stands nearby, gaping comically at a sheaf of bills. Brief profiles at the end add some detail but mostly just recap the poems’ content, and a pictorial timeline on the rear endpapers would serve as an index if the jacket flap didn’t cover a good portion of it.

Some issues with design and tone but a mostly worthy appreciation of the women who stood and stand (if, sometimes, only figuratively) next to the presidents. (Poetry/collective biography. 7-10)

Pub Date: Oct. 16, 2018

ISBN: 978-1-4847-2660-0

Page Count: 56

Publisher: Disney-Hyperion

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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