by Elizabeth Verdick ; illustrated by Marc Rosenthal ‧ RELEASE DATE: Oct. 31, 2017
Charming and endearing: “ChuggaMmmm-hmmm!” (Picture book. 3-6)
The smallest in a fleet of snowplows always gets picked last in a snowstorm, but he and his driver, Gus, show that teamwork and perseverance pay off.
Artwork reminiscent of Virginia Burton’s classics begins with a double-page spread of eight snowplows—eyes and eyebrows on their windshields—facing out in front of a tall fence. Lights gleam from town buildings with snowclad roofs, and large flakes of snow fill a darkening sky. The sixth plow from the left is the only one that is tiny and red, but the text simply mentions that the city plows are “ready to fight the snow.” At the turn of the page, readers learn what they have probably suspected: all the big, yellow plows are always picked first. At last, Walt is cheerfully chosen by Gus—light-skinned, like the other men. There follows a sweet sequence that shows Gus carefully checking the little plow’s readiness, and then off they go. The text is full of onomatopoeia, alliteration, and sudden rhymes as the pair salts roads and pushes through snow. “My name is Walt. / I plow and I salt” is a droll, easily remembered couplet that assumes additions and variations throughout. At the climax, the intrepid team ascends a steep hill—defying the intimidating plow Big Buck—and the expected end is magnified with a special treat from Gus to Walt.
Charming and endearing: “ChuggaMmmm-hmmm!” (Picture book. 3-6)Pub Date: Oct. 31, 2017
ISBN: 978-1-4814-4845-1
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Sam McBratney ; illustrated by Anita Jeram ‧ RELEASE DATE: Sept. 13, 2011
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
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by Tim McCanna ; illustrated by Aimée Sicuro ‧ RELEASE DATE: Feb. 18, 2020
Like its subject: full of bustling life yet peaceful.
Life buzzes in a community garden.
Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.
Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)Pub Date: Feb. 18, 2020
ISBN: 978-1-5344-1797-7
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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