A story of dreams and delusions, with more than a soupçon of the pathetic tossed in.
Weil captures the benign madness as Gary Hudson tries to build the first civilian spacecraft.
The “entirely self-taught” Hudson and his cohorts have thus far not had much success; their ships have routinely imploded, exploded, and disintegrated rather than touched the firmament. Weil tries to convey the positive aspects of Hudson's mindset (one of his workers comments, “Some people say that Gary is ba-fucking-nanas, and I would say those people have no vision. I would not go to tea with them. Their souls are dust”), but also shows a penchant, even a desire, for failure shared by many of those closest to him. “We like to set the bar a few inches higher than we can possibly attain,” admits the test site manager. Chronicling Hudson’s three-year quest to build the Roton, a fully reusable spacecraft, Weil's tone is vigilant and lonely. It’s evident from the get-go that the project will not succeed, and the author depicts Hudson as an eternal boy: adolescently charming, messianic, asocial, restless, “refus[ing] to adapt to the mainstream world because that world obscures his hidden genius.” For all the millions he garners from venture capitalists, the world he inhabits is pretty tatty, pasty and remote and disturbingly blinkered. Of course, debut author Weil appreciates, all visionaries are cranks until they bring home the goods, and cutting hard across the grain is the whole point. But Hudson's vehicle is deeply flawed. An aerospace engineer points out that it has the wrong fuel, the wrong number of gears and stages, the wrong hardware, and the wrong business model; tests bear this out, and his funding dries up. It is comforting to know such odd fellows are out there pursuing their outlandish schemes, which might someday be beneficial and in any case are presumably harmless. It is also nice to know they are far away in the desert.
A story of dreams and delusions, with more than a soupçon of the pathetic tossed in.Pub Date: Oct. 8, 2002
ISBN: 0-553-10886-7
Page Count: 240
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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