BLACK DOVE, WHITE RAVEN

Unforgettable

Wein returns to Ethiopia, the setting of her Arthurian adventures, for a high-flying novel about the 1935 Italian invasion.

Emilia Menotti and Teodros Dupré share no DNA, but they are otherwise as close as siblings could be. Their aviator mothers had performed together as barnstormers Black Dove and White Raven until a bird strike killed Teo’s mother as the two women were preparing to immigrate to Ethiopia, where Teo’s father had come from. Alone, Momma raises them on a remote coffee cooperative, an idyll cut short as tensions rise between the independent African nation and Italy, whose colonies border it. Wein does again what she did so beautifully in Code Name Verity (2012) and Rose Under Fire (2013): She plaits together the historical record, her passion for flying and ferociously vivid characters to create a heartbreaking adventure that grounds readers in the moment even as geopolitical complexity threatens to knock them off their feet. The story is pieced together from a combination of documents; Emmy’s opening begging Haile Selassie for help is followed by a collection of the two teens’ writings, including childhood stories, themes written for the cooperative school and long, diarylike flight logs. This device does not create as seamless a narrative as in her previous two books, and Emmy’s and Teo’s voices are often hard to tell apart, but Wein’s forceful prose will carry readers past any sense of contrivance.

Unforgettable . (Historical fiction. 12 & up)

Pub Date: March 31, 2015

ISBN: 978-1-4231-8310-5

Page Count: 368

Publisher: Hyperion

Review Posted Online: Jan. 9, 2015

Kirkus Reviews Issue: Jan. 15, 2015

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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