BLACK DOVE, WHITE RAVEN

Wein returns to Ethiopia, the setting of her Arthurian adventures, for a high-flying novel about the 1935 Italian invasion.

Emilia Menotti and Teodros Dupré share no DNA, but they are otherwise as close as siblings could be. Their aviator mothers had performed together as barnstormers Black Dove and White Raven until a bird strike killed Teo’s mother as the two women were preparing to immigrate to Ethiopia, where Teo’s father had come from. Alone, Momma raises them on a remote coffee cooperative, an idyll cut short as tensions rise between the independent African nation and Italy, whose colonies border it. Wein does again what she did so beautifully in Code Name Verity (2012) and Rose Under Fire (2013): She plaits together the historical record, her passion for flying and ferociously vivid characters to create a heartbreaking adventure that grounds readers in the moment even as geopolitical complexity threatens to knock them off their feet. The story is pieced together from a combination of documents; Emmy’s opening begging Haile Selassie for help is followed by a collection of the two teens’ writings, including childhood stories, themes written for the cooperative school and long, diarylike flight logs. This device does not create as seamless a narrative as in her previous two books, and Emmy’s and Teo’s voices are often hard to tell apart, but Wein’s forceful prose will carry readers past any sense of contrivance.

Unforgettable . (Historical fiction. 12 & up)

Pub Date: March 31, 2015

ISBN: 978-1-4231-8310-5

Page Count: 368

Publisher: Hyperion

Review Posted Online: Jan. 10, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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A rush of emotion and suspense.

THE FIRST TO DIE AT THE END

Crowds gather across the United States for the launch of Death-Cast, a company that promises to change the world by predicting the deaths of everyone who subscribes in this prequel to They Both Die at the End (2017).

Orion Pagan, an aspiring author with a heart condition, hopes his phone won’t ring at midnight, but he knows Death-Cast’s call is coming soon. Unlike Orion, Valentino Prince, a model on the verge of his national debut, has no reason to anticipate Death-Cast’s call and isn’t sure if he believes the company’s claims. By coincidence or fate, their lives collide at a party in Times Square, and a single, historic phone call alters the courses of their futures. This heart-pounding story follows the final day of the first Decker, or person who is going to die, and the national chaos of Death-Cast’s premiere. Silvera crafts a web of intricately interconnected character perspectives and conflicts around Orion and Valentino. Apart from Valentino and his twin sister, who are presumed White, most of the characters are Latine, including White-passing Orion, whose family is Puerto Rican. The story confronts heavy topics like grief, abuse, and religious faith with complexity and care. Despite the presumed inevitability of a fatal end to the central romance between Orion and Valentino, Silvera subverts the trope of punishing gay characters with violent tragedy. Familiarity with the original book provides additional context and depth but isn’t essential to understanding the plot.

A rush of emotion and suspense. (Speculative fiction. 13-18)

Pub Date: Oct. 4, 2022

ISBN: 978-0-06-324080-3

Page Count: 416

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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